“Now, you will hardly believe it, but it is true, nevertheless, that there isn’t a single coffin in good repair among all my acquaintance—now that is an absolute fact. I do not refer to low people who come in a pine box mounted on an express-wagon, but I am talking about your high-toned, silver-mounted burial-case, your monumental sort, that travel under black plumes at the head of a procession and have choice of cemetery lots —I mean folks like the Jarvises, and the Bledsoes and Burlings, and such. They are all about ruined. The most substantial people in our set, they were. And now look at them—utterly used up and poverty-stricken. One of the Bledsoes actually traded his monument to a late barkeeper for some fresh shavings to put under his head. I tell you it speaks volumes, for there is nothing a corpse takes so much pride in as his monument. He loves to read the inscription. He comes after a while to believe what it says himself, and then you may see him sitting on the fence night after night enjoying it. Epitaphs are cheap, and they do a poor chap a world of good after he is dead, especially if he had hard luck while he was alive. I wish they were used more. Now I don’t complain, but confidentially I do think it was a little shabby in my descendants to give me nothing but this old slab of a gravestone—and all the more that there isn’t a compliment on it. It used to have:
‘Goneto his just reward’
on it, and I was proud when I first saw it, but by and by I noticed that whenever an old friend of mine came along he would hook his chin on the railing and pull a long face and read along down till he came to that, and then he would chuckle to himself and walk off, looking satisfied and comfortable. So I scratched it off to get rid of those fools. But a dead man always takes a deal of pride in his monument. Yonder goes half a dozen of the Jarvises now, with the family monument along. And Smithers and some hired specters went by with his awhile ago. Hello, Higgins, good-by, old friend! That’s Meredith Higgins—died in ’44 —belongs to our set in the cemetery—fine old family—great-grand mother was an Injun—I am on the most familiar terms with him he didn’t hear me was the reason he didn’t answer me. And I am sorry, too, because I would have liked to introduce you. You would admire him. He is the most disjointed, sway-backed, and generally distorted old skeleton you ever saw, but he is full of fun. When he laughs it sounds like rasping two stones together, and he always starts it off with a cheery screech like raking a nail across a window-pane. Hey, Jones! That is old Columbus Jones—shroud cost four hundred dollars entire trousseau, including monument, twenty-seven hundred. This was in the spring of ’26. It was enormous style for those days. Dead people came all the way from the Alleghanies to see his things—the party that occupied the grave next to mine remembers it