The Woman in White eBook

This eBook from the Gutenberg Project consists of approximately 909 pages of information about The Woman in White.

The Woman in White eBook

This eBook from the Gutenberg Project consists of approximately 909 pages of information about The Woman in White.
which I had once blamed myself for associating even by a passing thought with the future of Laura Fairlie, had set their profaning marks on the youth and beauty of her face; and the fatal resemblance which I had once seen and shuddered at seeing, in idea only, was now a real and living resemblance which asserted itself before my own eyes.  Strangers, acquaintances, friends even who could not look at her as we looked, if she had been shown to them in the first days of her rescue from the Asylum, might have doubted if she were the Laura Fairlie they had once seen, and doubted without blame.

The one remaining chance, which I had at first thought might be trusted to serve us—­the chance of appealing to her recollection of persons and events with which no impostor could be familiar, was proved, by the sad test of our later experience, to be hopeless.  Every little caution that Marian and I practised towards her—­every little remedy we tried, to strengthen and steady slowly the weakened, shaken faculties, was a fresh protest in itself against the risk of turning her mind back on the troubled and the terrible past.

The only events of former days which we ventured on encouraging her to recall were the little trivial domestic events of that happy time at Limmeridge, when I first went there and taught her to draw.  The day when I roused those remembrances by showing her the sketch of the summer-house which she had given me on the morning of our farewell, and which had never been separated from me since, was the birthday of our first hope.  Tenderly and gradually, the memory of the old walks and drives dawned upon her, and the poor weary pining eyes looked at Marian and at me with a new interest, with a faltering thoughtfulness in them, which from that moment we cherished and kept alive.  I bought her a little box of colours, and a sketch-book like the old sketch-book which I had seen in her hands on the morning that we first met.  Once again—­oh me, once again!—­at spare hours saved from my work, in the dull London light, in the poor London room, I sat by her side to guide the faltering touch, to help the feeble hand.  Day by day I raised and raised the new interest till its place in the blank of her existence was at last assured—­till she could think of her drawing and talk of it, and patiently practise it by herself, with some faint reflection of the innocent pleasure in my encouragement, the growing enjoyment in her own progress, which belonged to the lost life and the lost happiness of past days.

We helped her mind slowly by this simple means, we took her out between us to walk on fine days, in a quiet old City square near at hand, where there was nothing to confuse or alarm her—­we spared a few pounds from the fund at the banker’s to get her wine, and the delicate strengthening food that she required—­we amused her in the evenings with children’s games at cards, with scrap-books full of prints which I borrowed from

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The Woman in White from Project Gutenberg. Public domain.