The Woman in White eBook

This eBook from the Gutenberg Project consists of approximately 909 pages of information about The Woman in White.

The Woman in White eBook

This eBook from the Gutenberg Project consists of approximately 909 pages of information about The Woman in White.

The relation of this last incident reminds me of one of his most curious peculiarities, which I have not yet mentioned—­his extraordinary fondness for pet animals.

Some of these he has left on the Continent, but he has brought with him to this house a cockatoo, two canary-birds, and a whole family of white mice.  He attends to all the necessities of these strange favourites himself, and he has taught the creatures to be surprisingly fond of him and familiar with him.  The cockatoo, a most vicious and treacherous bird towards every one else, absolutely seems to love him.  When he lets it out of its cage, it hops on to his knee, and claws its way up his great big body, and rubs its top-knot against his sallow double chin in the most caressing manner imaginable.  He has only to set the doors of the canaries’ cages open, and to call them, and the pretty little cleverly trained creatures perch fearlessly on his hand, mount his fat outstretched fingers one by one, when he tells them to “go upstairs,” and sing together as if they would burst their throats with delight when they get to the top finger.  His white mice live in a little pagoda of gaily-painted wirework, designed and made by himself.  They are almost as tame as the canaries, and they are perpetually let out like the canaries.  They crawl all over him, popping in and out of his waistcoat, and sitting in couples, white as snow, on his capacious shoulders.  He seems to be even fonder of his mice than of his other pets, smiles at them, and kisses them, and calls them by all sorts of endearing names.  If it be possible to suppose an Englishman with any taste for such childish interests and amusements as these, that Englishman would certainly feel rather ashamed of them, and would be anxious to apologise for them, in the company of grown-up people.  But the Count, apparently, sees nothing ridiculous in the amazing contrast between his colossal self and his frail little pets.  He would blandly kiss his white mice and twitter to his canary-birds amid an assembly of English fox-hunters, and would only pity them as barbarians when they were all laughing their loudest at him.

It seems hardly credible while I am writing it down, but it is certainly true, that this same man, who has all the fondness of an old maid for his cockatoo, and all the small dexterities of an organ-boy in managing his white mice, can talk, when anything happens to rouse him, with a daring independence of thought, a knowledge of books in every language, and an experience of society in half the capitals of Europe, which would make him the prominent personage of any assembly in the civilised world.  This trainer of canary-birds, this architect of a pagoda for white mice, is (as Sir Percival himself has told me) one of the first experimental chemists living, and has discovered, among other wonderful inventions, a means of petrifying the body after death, so as to preserve it, as hard as marble, to the end of time.  This fat, indolent,

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The Woman in White from Project Gutenberg. Public domain.