One looks at the smooth faces of boys of twenty and wonders what the sculptor Life is going to make of them.  Those who have known his work know what sharp tools are in his kit; they know the tragic possibilities as well as the happy ones of those inevitable strokes; they shrink a bit as they look at the smooth faces of the boys and realize how that clay must be moulded in the workshop—­how the strong lines which ought to be there some day must come from the cutting of pain and the grinding of care and the push and weight of responsibility.  Yet there is service and love, too, and happiness and the slippery bright blade of success in the kit of Life the sculptor; so they stand and watch, a bit pitifully but hopefully, as the work begins, and cannot guide the chisel but a little way, yet would not, if they could, stop it, for the finished job is going to be, they trust, a man, and only the sculptor Life can make such.

The boy called Johnny McLean glanced up at the window in Durfee; he met the girl’s eyes, and the girl smiled back and made a gay motion with her hand as if to say, “Keep up your pluck; you’ll be taken.”  And wished she felt sure of it.  For, as Mrs. Anderson had said, he had done nothing in particular.  His marks were good, he was a fair athlete; good at rowing, good at track work; he had “heeled” the News for a year, but had not made the board.  A gift of music, which bubbled without effort, had put him on the Glee Club.  Yet that had come to him; it was not a thing he had done; boys are critical of such distinctions.  It is said that Skull and Bones aims at setting its seal above all else on character.  This boy had sailed buoyantly from term to term delighted with the honors which came to his friends, friends with the men who carried off honors, with the best and strongest men in his class, yet never quite arriving for himself.  As the bright, anxious young face looked up at the window where the women sat, the older one thought she could read the future in it, and she sighed.  It was a face which attracted, broad-browed, clear-eyed, and honest, but not a strong face—­yet.  John McLean had only made beginnings; he had accomplished nothing.  Mrs. Anderson, out of an older experience, sighed, because she had seen just such winning, lovable boys before, and had seen them grow into saddened, unsuccessful men.  Yet he was full of possibility; the girl was hoping against hope that Brant and the fourteen other seniors of Skull and Bones would see it so and take him on that promise.  She was not pretending to herself that anything but Johnny McLean’s fate in it was the point of this Tap Day to her.  She was very young, only twenty also, but there was a maturity in her to which the boy made an appeal.  She felt a strength which others missed; she wanted him to find it; she wanted passionately to see him take his place where she felt he belonged, with the men who counted.