“How, then, this excitement?” would be your disposition to inquire. “Why this sensation?”
It is very simple. My hair had been shaved off, all over my ears, leaving only a little above the back of the neck, to give an appearance of far-reaching baldness, and on my head was painted, in ah! so brilliant letters of distinctness:
Theatre
Folie-Rouge
Revue
de
Printemps
Tous les Soirs
Such was the necessity to which I was at that time reduced! One has heard that the North Americans invent the most singular advertising, but I will not believe they surpass the Parisian. Myself, I say I cannot express my sufferings under the notation of the crowds that moved about the Cafe’ de la Paix! The French are a terrible people when they laugh sincerely. It is not so much the amusing things which cause them amusement; it is often the strange, those contrasts which contain something horrible, and when they laugh there is too frequently some person who is uncomfortable or wicked. I am glad that I was born not a Frenchman; I should regret to be native to a country where they invent such things as I was doing in the Place de l’Opera; for, as I tell you, the idea was not mine.
As I sat with my eyes drooping before the gaze of my terrible and applauding audiences, how I mentally formed cursing words against the day when my misfortunes led me to apply at the Theatre Folie-Rouge for work! I had expected an audition and a role of comedy in the Revue; for, perhaps lacking any experience of the stage, I am a Neapolitan by birth, though a resident of the Continent at large since the age of fifteen. All Neapolitans can act; all are actors; comedians of the greatest, as every traveller is cognizant. There is a thing in the air of our beautiful slopes which makes the people of a great instinctive musicalness and deceptiveness, with passions like those burning in the old mountain we have there. They are ready to play, to sing—or to explode, yet, imitating that amusing Vesuvio, they never do this last when you are in expectancy, or, as a spectator, hopeful of it.
How could any person wonder, then, that I, finding myself suddenly destitute in Paris, should apply at the theatres? One after another, I saw myself no farther than the director’s door, until (having had no more to eat the day preceding than three green almonds, which I took from a cart while the good female was not looking) I reached the Folie-Rouge. Here I was astonished to find a polite reception from the director. It eventuated that they wished for a person appearing like myself a person whom they would outfit with clothes of quality in all parts, whose external presented a gentleman of the great world, not merely of one the galant-uomini, but who would impart an air to a table at a cafe’ where he might sit and partake. The contrast of this with the emplacement of the establishment on his bald