it meant to enter upon another make-believe existence far harder to live successfully than the first.  One can make believe to love on the stage, uttering skillfully the words of an author and carrying out the instructions of a stage director.  An audience may be taken in. ...  A play is brief.  But to begin a spurious love scene which is to last, not twenty minutes, but for a lifetime, is a matter of quite different color.  She determined to begin it. ...

But with the sound of Bonbright’s footfall on the stairs her resolution vanished.  “To-morrow,” she whispered to herself, with sudden dread.  “To-morrow. ...”  And so she put it off from day to day.

In the beginning Bonbright had been optimistic.  He had seen her reluctance, her reserves, vanishing in a few days.  But they did not vanish.  He found himself no nearer his wife than he had been at the beginning.  Optimism became hope, hope dwindled, became doubt, uneasy wonder.  He could not understand, and it was natural he should not understand.  At first he had believed his experience was the experience of all bridegrooms.  Days taught him his experience was unique, unnatural.  Ruth saw him often now, sitting moodily, eyes on the floor—­and she could read his thoughts.  Yet he tried to bolster up the pretense.  He had given his promise, and he loved Ruth.  He could not, would not do as most men would have done. ...  What neither of them saw was that pretense had made a sudden change to reality impossible. ...

Bonbright was unhappy at home, unhappy at work.  Just as he was outside his wife’s real life, so he was excluded from the lives of the men he worked with.  He was not, to them, a fellow laborer; he was Bonbright Foote VII.  But he made no complaint or appeal to Malcolm Lightener. ...  He did not know how unnecessary an appeal to Lightener would be, for Lightener kept himself well acquainted with the facts, watched and waited, and the satisfaction of the automobile king grew and increased.

“He’s no squealer,” he said to his daughter.  “He’s taking his medicine without making a face.”

“What’s the good, dad?  It’s mean. ...  Why don’t you take him into the office?”

“We have a testing department,” he said.  “Every scrap of metal that goes into a car is tested before we use it. ...  Bonbright’s in the testing department.”

“Isn’t it possible to keep on testing a piece of metal till it’s all used up?” she said.

“H’m!...  Suppose you mind your own business,” he said, in his gruff, granite way—­not rudely nor offensively.  “How’s his wife?  How are they getting along?”

Hilda shook her head.  “They’re queer, dad.  Somehow I don’t believe things are working out the way they should.  I can’t understand her.”

“Squabbling?”

“Never. ...  Bonbright’s so gentle with her.  He has a sort of wistful way with him as soon as she comes near.  It makes me want to cry.  Somehow he reminds me of a fine, affectionate dog watching a master who doesn’t give back any affection.  You know.”