“Once I saw thee in dark night, In supernatural Beauty bright; Of Light-rays, was the Figure wove, To share its light, locked-hair strove.

“Thy Garment color wave-dove By thy hand the sign of love, Thy eyes sweet enchantment, Raying to me, oh! enchantment.

“O, wert thou but my sweetheart, How willingly thy love to part!  With delight I should be bound To thy rocky house in deep ground.”

That Hermann should have gone to that place at all, was not wise; that he should have gone with such a song as that in his mouth was a most serious mistake.  The Lorelei did not “call his name in unutterable sweet Whispers” this time.  No, that song naturally worked an instant and thorough “changement” in her; and not only that, but it stirred the bowels of the whole afflicted region around about there—­for—­

“Scarcely had these tones sounded, everywhere there began tumult and sound, as if voices above and below the water.  On the Lei rose flames, the Fairy stood above, at that time, and beckoned with her right hand clearly and urgently to the infatuated Knight, while with a staff in her left hand she called the waves to her service.  They began to mount heavenward; the boat was upset, mocking every exertion; the waves rose to the gunwale, and splitting on the hard stones, the Boat broke into Pieces.  The youth sank into the depths, but the squire was thrown on shore by a powerful wave.”

The bitterest things have been said about the Lorelei during many centuries, but surely her conduct upon this occasion entitles her to our respect.  One feels drawn tenderly toward her and is moved to forget her many crimes and remember only the good deed that crowned and closed her career.

“The Fairy was never more seen; but her enchanting tones have often been heard.  In the beautiful, refreshing, still nights of spring, when the moon pours her silver light over the Country, the listening shipper hears from the rushing of the waves, the echoing Clang of a wonderfully charming voice, which sings a song from the crystal castle, and with sorrow and fear he thinks on the young Count Hermann, seduced by the Nymph.”

Here is the music, and the German words by Heinrich Heine.  This song has been a favorite in Germany for forty years, and will remain a favorite always, maybe. [Figure 5]

I have a prejudice against people who print things in a foreign language and add no translation.  When I am the reader, and the author considers me able to do the translating myself, he pays me quite a nice compliment—­but if he would do the translating for me I would try to get along without the compliment.

If I were at home, no doubt I could get a translation of this poem, but I am abroad and can’t; therefore I will make a translation myself.  It may not be a good one, for poetry is out of my line, but it will serve my purpose—­which is, to give the unGerman young girl a jingle of words to hang the tune on until she can get hold of a good version, made by some one who is a poet and knows how to convey a poetical thought from one language to another.