MOTI GUJ—­MUTINEER

Once upon a time there was a coffee-planter in India who wished to clear some forest land for coffee-planting.  When he had cut down all the trees and burned the under-wood the stumps still remained.  Dynamite is expensive and slow-fire slow.  The happy medium for stump-clearing is the lord of all beats, who is the elephant.  He will either push the stump out of the ground with his tusks, if he has any, or drag it out with ropes.  The planter, therefore, hired elephants by ones and twos and threes, and fell to work.  The very best of all the elephants belonged to the very worst of all the drivers or mahouts; and the superior beast’s name was Moti Guj.  He was the absolute property of his mahout, which would never have been the case under native rule, for Moti Guj was a creature to be desired by kings; and his name, being translated, meant the Pearl Elephant.  Because the British Government was in the land, Deesa, the mahout, enjoyed his property undisturbed.  He was dissipated.  When he had made much money through the strength of his elephant, he would get extremely drunk and give Moti Guj a beating with a tent-peg over the tender nails of the forefeet.  Moti Guj never trampled the life out of Deesa on these occasions, for he knew that after the beating was over Deesa would embrace his trunk and weep and call him his love and his life and the liver of his soul, and give him some liquor.  Moti Guj was very fond of liquor—­arrack for choice, though he would drink palm-tree toddy if nothing better offered.  Then Deesa would go to sleep between Moti Guj’s forefeet, and as Deesa generally chose the middle of the public road, and as Moti Guj mounted guard over him and would not permit horse, foot, or cart to pass by, traffic was congested till Deesa saw fit to wake up.

There was no sleeping in the daytime on the planter’s clearing:  the wages were too high to risk.  Deesa sat on Moti Guj’s neck and gave him orders, while Moti Guj rooted up the stumps—­for he owned a magnificent pair of tusks; or pulled at the end of a rope—­for he had a magnificent pair of shoulders, while Deesa kicked him behind the ears and said he was the king of elephants.  At evening time Moti Guj would wash down his three hundred pounds’ weight of green food with a quart of arrack, and Deesa would take a share and sing songs between Moti Guj’s legs till it was time to go to bed.  Once a week Deesa led Moti Guj down to the river, and Moti Guj lay on his side luxuriously in the shallows, while Deesa went over him with a coir-swab and a brick.  Moti Guj never mistook the pounding blow of the latter for the smack of the former that warned him to get up and turn over on the other side.  Then Deesa would look at his feet, and examine his eyes, and turn up the fringes of his mighty ears in case of sores or budding ophthalmia.  After inspection, the two would ‘come up with a song from the sea,’ Moti Guj all black and shining, waving a torn tree branch twelve feet long in his trunk, and Deesa knotting up his own long wet hair.