The procession of the day, which, of course, put an end to all marketing for the time, began at half after ten, with High Mass set for eleven o’clock. It was a pompous business—the nuns of San Vincenzio, two and two, with lighted tapers; their friends of the world, ladies in hoops and feathers, attendant cavaliers; Donna Violante, widow of the Grand Prince Ferdinand, deceased—a stout black-eyed woman of middle age, under-dressed and over-painted. She had a court about her of half a dozen gentlemen, twice that number of ladies, and three black boys to hold her train. Donna Camilla Pallavicini may have been there, but I did not see her. The clergy followed, then the bishop with his chaplains, train-bearer and acolytes; torch-bearers next; and then the casket containing the body of the saint under a heavy crimson canopy. Friars of St. Dominic’s religion closed a very fine procession.
Having myself a fair musical ear, I thought that the nuns sang badly, without harmony or spirit. They looked about them too with what I considered regretable freedom: they talked to their friends; one of them had a damerino on either side of her, and one also, I was constrained to notice, looked fixedly in my direction, with fine eyes, full of knowledge—but presently turned her head and passed on. There was nothing flagrant, nothing to be compared with what was allowed to religious in Padua and Venice; but I was a little discontented at this nun’s inspection. I had observed that she was handsome and of fine person, pale, serious, and with a high-bred air.