himself for hours criticising the passers-by, and, when he had censured them long enough, in showing exactly and circumstantially how they ought to have dressed themselves, ought to have walked, and ought to have behaved, to look like orderly people.  Such attempts, for the most part, ended in something improper and absurd; so that we did not so much laugh at how the man looked, but at how, perchance, he might have looked had he been mad enough to caricature himself.  In all such matters.  Behrisch went quite unmercifully to work, without being in the slightest degree malicious On the other hand, we knew how to tease him, on our side, by assuring him, that, to judge from his exterior, he must be taken, if not for a French dancing-master, at least for the academical teacher of the language.  This reproval was usually the signal for dissertations an hour long, in which he used to set forth the difference, wide as the heavens, which there was between him and an old Frenchman.  At the same time he commonly imputed to us all sorts of awkward attempts, that we might possibly have made for the alteration and modification of his wardrobe.

My poetical compositions, which I only carried on the more zealously as the transcript went on becoming more beautiful and more careful, now inclined altogether to the natural and the true:  and if the subjects could not always be important, I nevertheless always endeavored to express them clearly and pointedly, the more so as my friend often gave me to understand what a great thing it was to write down a verse on Dutch paper, with the crow-quill and Indian ink; what time, talent, and exertion it required, which ought not to be squandered on any thing empty and superfluous.  He would, at the same time, open a finished parcel, and circumstantially to explain what ought not to stand in this or that place, or congratulate us that it actually did not stand there.  He then spoke with great contempt of the art of printing, mimicked the compositor, ridiculed his gestures and his hurried picking out of letters here and there, and derived from this manoeuvre all the calamities of literature.  On the other hand, he extolled the grace and noble posture of a writer, and immediately sat down himself to exhibit it to us; while he rated us at the same time for not demeaning ourselves at the writing-table precisely after his example and model.  He now reverted to the contrast with the compositor, turned a begun letter upside down, and showed how unseemly it would be to write any thing from the bottom to the top, or from the right to the left, with other things of like kind with which whole volumes might have been filled.

With such harmless fooleries we squandered our precious time; while it could have occurred to none of us, that any thing would chance to proceed out of our circle which would awaken a general sensation and bring us into not the best repute.