After a time it was decided that Walter should be a barrister, or, as it is called in Scotland, an advocate, and in 1792 he was called to the Bar.  His work as an advocate was at first not very constant, and it left him plenty of time for long, rambling excursions or raids, as he used to call them, in different parts of Scotland and in the north of England.  He traveled about, listening to the ballads of the country folk, gathering tales, storing his mind with memories of people and places.  “He was making himself a’ the time,” said a friend who went with him, “but he didna ken maybe what he was about till years had passed.  At first he thought o’ little, I daresay, but the queerness and the fun.”

It was in an expedition to the English Lakes with his brother and a friend that Scott met his wife.  One day while out riding he saw a lady also riding.  She had raven black hair and deep brown eyes, which found a way at once to the poet’s heart.  In true poet fashion he loved her.  That night there was a ball, and though Walter Scott could not dance, he went to the ball and met his lady love.  She was Charlotte Margaret Carpenter, the daughter of a Frenchman who had taken refuge in England from the fury of the Revolution.  Walter was able to win his lady’s heart, and before the end of the year had married her and carried her off to Scotland.

Two or three years after his marriage, Scott published a book of Border Ballads.  It was the outcome of his wanderings in the Border country.  In it Scott had gathered together many ballads which he heard from the country folk, but he altered and bettered them as he thought fit, and among them were new ballads by himself and some of his friends.

The book was only a moderate success, but in it we may find the germ of all Scott’s later triumphs.  For it was the spirit of these ballads with which his mind was so full which made it possible for him to write the Metrical Romances that made him famous.

It is now many chapters since we spoke of Metrical Romances.  They were, you remember, the chief literature from the twelfth to the fifteenth century, which time was also the time of the early ballads.  And now that people had begun again to see the beauty of ballads, they were ready also to turn again to the simplicity of Metrical Romances.  These rime stories which Scott now began to write, burst on our Island with the splendor of something new, and yet it was simply the old-time spirit in which Scott had steeped himself, which found a new birth—­a Renascence.  Scott was a stalwart Border chieftain born out of time.  But as another writer says, instead of harrying cattle and cracking crowns, this Border chief was appointed to be the song-singer and pleasant tale-teller to Britain and to Europe.  “It was the time for such a new literature; and this Walter Scott was the man for it."*

Carlyle.

    “The mightiest chiefs of British song
    Scorn’d not such legends to prolong: 
    They gleam through Spenser’s elfin dream,
    And mix in Milton’s heavenly theme."*