As the temper of the people changed, the literature changed too.  As England grew Puritan, the people began to look askance at the theater, for the Puritans had always been its enemies.  Puritan ideas drew the great mass of thinking people.

For one reason or another the plays that were written became by degrees poorer and poorer.  They were coarse too, many of them so much so that we do not care to read them now.  But people wrote such stories as the play-goers of those days liked, and from them we can judge how low the taste of England had fallen.  However, there were people in England in those days who revolted against this taste, and in 1642, when the great struggle between King Parliament had begun, all theaters were closed by order of Parliament.  So for a time the life of English drama paused.

But while dramatic poetry declined, lyric poetry flourished.  Lyric comes from the Greek word lura, a lyre, and all lyric poetry was at one time meant to be sung.  Now we use the word for any short poem whether meant to be sung or not.  In the times of James and Charles there were many lyric poets.  Especially in the time of Charles it was natural that poets should write lyrics rather than longer poems.  For a time of strong action, of fierce struggle was beginning, and amid the clash of arms men had no leisure to sit in the study and ponder long and quietly.  But life brought with it many sharp and quick moments, and these could be best expressed in lyric poetry.  And as was natural when religion was more and more being mixed with politics, when life was forcing people to think about religion whether they would or not, many of these lyric poets were religious poets.  Indeed this is the great time of English religious poetry.  So these lyric poets were divided into two classes, the religious poets and the court poets, gay cavaliers these last who sang love-songs, love-songs, too, in which we often seem to hear the clash of swords.  For if these brave and careless cavaliers loved gayly, they fought and died as gayly as they loved.

Later on when you come to read more in English literature, you will learn to know many of these poets.  In this book we have not room to tell about them or even to mention their names.  Their stories are bound up with the stories of the times, and many of them fought and suffered for their king.  But I will give you one or two poems which may make you want to know more about the writers of them.

Here are two written by Richard Lovelace, the very model of a gay cavalier.  While he was at Oxford, King Charles saw him and made him M.A. or Master of Arts, not for his learning, but because of his beautiful face.  He went to court and made love and sang songs gayly.  He went to battle and fought and sang as gayly, he went to prison and still sang.  To the cause of his King he clung through all, and when Charles was dead and Cromwell ruled with his stern hand, and song was hushed in England, he died miserably in a poor London alley.