the train of the Wild Huntsman, and though she appeared
at times as a seductive siren and tempted men to their
destruction, she appeared oftener as an old woman
who rewarded acts of kindness with endless generosity.
It was she who had in keeping the souls of unborn
children, and babes who died before they could be christened
were carried by her to the Jordan and baptized in its
waters. Even after priestly sermons had transformed
her into a beauteous she-devil, she still kept up
her residence in the cave, which now, in turn, took
on a new character. Venturesome persons who got
near its mouth, either purposely or by accident, told
of strange noises which issued from it, like the rushing
of many waters or the voice of a subterranean storm.
The priests supplied explanation and etymology to
fit the new state of things. The noise was the
lamentation of souls in the fires of purgatory, to
which place of torment the cave was an opening.
This was said to account for the old German name of
the mountain—“Hor-Seel-Berg”—that
is, “Hear-Souls-Mountain.” To this
Latin writers added another,
viz. “Mons
Horrisonus”—“the Mountain of
Horrible Sounds.” The forbidding appearance
of the exterior—in which some fantastic
writers avowed they saw a resemblance to a coffin—was
no check on the fancy of the mediaeval storyteller,
however, who pictured the interior of the mountain
as a marvellous palace, and filled it with glittering
jewels and treasures incalculable. The story of
Tannhauser’s sojourn within this magical cavern
is only one of many, nor do they all end like that
of the minstrel knight. Undeterred by the awful
tales told by monks and priests, poets and romancers
sang the glories and the pleasures of the cave as
well as its gruesome punishments. From them we
know many things concerning the appearance of the interior,
the cave’s inhabitants, and their merrymakings.
I cannot resist the temptation to retell one of these
old tales.
Adelbert, Knight of Thuringia, was one of those who
experienced the delights of the Cave of Venus, yet,
unlike Tannhauser in the original legend, was saved
at the last. He met Faithful Eckhart at the mouth
of the cave, who warned him not to enter, but entrancing
music sounded within and he was powerless to resist.
He entered. Three maidens came forward to meet
him. They were airily clad, flowers were twisted
in their brown locks, and they waved branches before
them as they smiled and beckoned and sang a song of
spring’s awakening. What could Sir Adelbert
do but follow when they glanced coyly over their white
shoulders and led the way through a narrow passage
into a garden surrounded with rose-bushes in bloom,
and filled with golden-haired maidens, lovelier than
the flowers, who wandered about hand in hand and sang
with sirens’ voices? In the middle of the
rose-hedged garden stood a red gate, which bore in
bold letters this legend:—
HERE DAME VENUS HOLDS COURT