yet I have never published in my life an article,
a play, or a book, as to which, if I had taken legal
advice, an expert could have assured me that I was
proof against prosecution or against an action for
damages by the persons criticized. No doubt a
sensible solicitor might have advised me that the
risk was no greater than all men have to take in dangerous
trades; but such an opinion, though it may encourage
a client, does not protect him. For example, if
a publisher asks his solicitor whether he may venture
on an edition of Sterne’s Sentimental Journey,
or a manager whether he may produce King Lear without
risk of prosecution, the solicitor will advise him
to go ahead. But if the solicitor or counsel consulted
by him were asked for a guarantee that neither of these
works was a libel, he would have to reply that he
could give no such guarantee; that, on the contrary,
it was his duty to warn his client that both of them
are obscene libels; that King Lear, containing as
it does perhaps the most appalling blasphemy that
despair ever uttered, is a blasphemous libel, and that
it is doubtful whether it could not be construed as
a seditious libel as well. As to Ibsen’s
Brand (the play which made him popular with the most
earnestly religious people) no sane solicitor would
advise his client even to chance it except in a broadly
cultivated and tolerant (or indifferent) modern city.
The lighter plays would be no better off. What
lawyer could accept any responsibility for the production
of Sardou’s Divorcons or Clyde Fitch’s
The Woman in the Case? Put the proposed King’s
Proctor in operation to-morrow; and what will be the
result? The managers will find that instead of
insuring them as the Lord Chamberlain does, he will
warn them that every play they submit to him is vulnerable
to the law, and that they must produce it not only
on the ordinary risk of acting on their own responsibility,
but at the very grave additional risk of doing so
in the teeth of an official warning. Under such
circumstances, what manager would resort a second
time to the Proctor; and how would the Proctor live
without fees, unless indeed the Government gave him
a salary for doing nothing? The institution would
not last a year, except as a job for somebody.
COUNSEL’S OPINION
The proposal is still less plausible when it is considered that at present, without any new legislation at all, any manager who is doubtful about a play can obtain the advice of his solicitor, or Counsel’s opinion, if he thinks it will be of any service to him. The verdict of the proposed King’s Proctor would be nothing but Counsel’s opinion without the liberty of choice of counsel, possibly cheapened, but sure to be adverse; for an official cannot give practical advice as a friend and a man of the world: he must stick to the letter of the law and take no chances. And as far as the law is concerned, journalism, literature, and the drama exist only by custom or sufferance.