Another oddity was our dancing master, an Opera dancer, named Seuriot.  What a fine presence that man had!  His lesson, which we all took together, like a little corps de ballet, was a great amusement to us, especially because of the theatrical stories we used to make him tell us.  One day he arrived in a great state of excitement, and addressing the governesses he said, “Ladies, you see before you a man who had a remarkable escape yesterday.  The ballet called Les Filets de Vulcain was being danced, I was playing Jupiter, and I was just going to ascend in my glory, with Mercury beside me, when I felt that same glory was out of order, and I had only just time to jump off, and to shout to Mercury, ’ Jump, my friend, jump, don’t lose an instant!’ Well, well!” During the pauses in the lesson, when his fiddle ceased, and while he wiped the perspiration from his brow, we used to crowd round him and ask him questions.  The elder ones always tried to get him on the subject of a danseuse named Mademoiselle Legallois, one on which he would descant unendingly.  This was the lady who on one occasion appeared in a ballet as the allegorical representative of Religion, which fact caused it to be said of a certain [Illustration:  Man and woman dancing.] Marshal of France “qu’il s’etait eteint dans les bras de la religion” (that he had passed away peacefully in the arms of religion).  But the moment we were seen crowding round and whispering with the old dancer, the governesses would charge down upon us with their “What is it?  What is it?” and we began our BATTEMENTS and our steps again.  Personally I owed one of the earliest successes in my life to old Seuriot.  I had profited so much by his lessons, that I appear to have danced the minuet in a quite remarkable way, so much so that my parents had a complete crimson velvet dress in the style of the last century made for me, with the indispensable three-cornered hat and a sword with knots of ribbon.  Thus accoutred, with powdered head and pigtail, I had to give several performances of my minuet, which I danced with my sister Clementine, both of us displaying all the airs and graces of bygone times.  My marquis’s dress, of which I was excessively proud, served me also for a fancy dress ball given by the Duchesse de Berri, at which, identifying myself too much with my character, I had a quarrel with a Cossack of my own age, young de B—­ about a partner.  In my fury I drew my sword, he did likewise, and we were just falling on each other, when the Duchesse rushed up crying, “Stop, you naughty children!  Take their swords away, M. de Brissac!” As for my sister Clementine, who was at the ball too, wearing her minuet gown, and looking utterly bewitching in her powder and her looped-up dress, she attracted the notice of Charles X., to whom she doubtless brought back memories of his own youth.  He came to her and kissed her, and gazed at her for a long time, holding her hand.  Then, turning to my father, he said, “Monsieur, if I were forty years younger, your daughter should be Queen of France,” whereupon he kissed her over again.