At about five o’clock in the afternoon on an October day, in 1793, Robespierre was sitting alone in a small room in the house of his friend, Simon Duplay, the cabinet-maker. This room, which was the bed-chamber, reception-room, and study of the arbitrary Dictator, was a garret in the roof of Duplay’s humble dwelling. One small window, opening upon the tiles, looked into the court-yard in which were stored the planks or blocks necessary to the cabinet-maker’s trade. A small wooden bedstead, a long deal table, and four or five rush-bottomed chairs, constituted the whole furniture of the apartment.
A deal shelf ran along the wail beneath the slanting roof, and held his small treasure of books; and more than half of this humble row were manuscripts of his own, which he had numbered, arranged, and bound with that methodical exactness, which was a part of his strange character. He was sitting at a table covered with papers, on which he had now been laboriously preparing instructions for those who, under him, carried on the rule of terror; and arranging the measured words with which, at the Jacobins, he was to encourage his allies to uphold him in the bloody despotism which he had seized.
The weight upon his mind must have been immense, for Robespierre was not a thoughtless, wild fanatic, carried by the multitude whether they pleased: he led the people of Paris, and led them with a fixed object. He was progressing by one measure deeply calculated to the age of reason, which he was assured was coming; and that one measure was the extermination of all who would be likely to oppose him. The extent of his power, the multiplicity of his cares, the importance of his every word and act, and the personal danger in which he lived, might have ruffled the equanimity of a higher-spirited man than he is supposed to have been; but yet, to judge from his countenance, his mind was calm; the traces of thought were plain on his brow, but there was none of the impatience of a tyrant about his mouth, nor of the cruelty of an habitual blood-shedder in his eyes. His forehead showed symptoms of deep thought, and partially redeemed the somewhat mean effect of his other features. The sharp nose, the thin lips, the cold grey eyes, the sallow sunken cheeks, were those of a precise, passionless, self-confident man, little likely to be led into any excess of love or hatred, but little likely also to be shaken in his resolve either for good or evil. His face probably was a true index to his character. Robespierre was not a cruel man; but he had none of that humanity, which makes the shedding of blood abominable to mankind, and which, had he possessed it, would have made his career impossible.