This version shows no signs of patchwork, at any rate in the story of the “Combat at the Ford;” which has, ever since it was reintroduced to the world by O’Curry, been renowned for the chivalry of its action.  It forms one of the books of Aubrey de Vere’s “Foray of Queen Meave,” and is there well reproduced, although with several additions; perhaps sufficient attention has not. been paid to the lofty position of the character, as distinguished from the prowess, that this version gives to Cuchulain.  The first verse, put in Cuchulain’s mouth, strikes a new note, contrasting alike with the muddle-headed bargaining of Ferdia and Maev, and the somewhat fussy anxiety of Fergus.  The contrast between the way in which Cuchulain receives Fergus’s report of the valour of Ferdia, and that in which Ferdia receives the praises of Cuchulain from his charioteer, is well worked out; Cuchulain, conscious of his own strength, accepts all Fergus’s praises of his opponent and adds to them; Ferdia cannot bear to hear of Cuchulain’s valour, and charges his servant with taking a bribe from his enemy in order to frighten him.  Ferdia boasts loudly of what he will do, Cuchulain apologises for his own confidence in the issue of the combat, and gently banters Fergus, who is a bit of a boaster himself, on the care he had taken to choose the time for the war when king Conor was away, with a modest implication that he himself was a poor substitute for the king.  Cuchulain’s first two stanzas in the opening dialogue between himself and Ferdia show a spirit quite as truculent as that of his opponent; the reason of this being, as indicated in the first of these stanzas and more explicitly stated in the preceding prose, that his anxiety for his country is outweighing his feeling for his friend; but in the third stanza he resumes the attitude of conscious strength that marks all his answers to Fergus; and this, added to a feeling of pity for his friend’s inevitable fate, is maintained up to the end of the tale.  In the fourth stanza, which is an answer to a most insulting speech from Ferdia, he makes the first of those appeals to his former friend to abandon his purpose that come from him throughout the first three days of the fight; even in the fatal battle of the fourth day, he will not at first put forward all his strength, and only uses the irresistible Gae-Bulg when driven to it by his foe.  The number of Cuchulain’s laments after the battle—­there are five of these (one in prose), besides his answers to Laeg—­has been adversely criticised; and it is just possible that one or more of these come from some other version, and have been incorporated by a later hand than that of the author; but the only one that seems to me not to develop the interest is the “brooch of gold,” which it may be noticed is very like the only lament which is preserved in the Book of Lecan text of the L.U. version.  Cuchulain’s allusion to Aife’s only son in the first verse lament is especially noticeable (see note, p. 196).