“Oh,” said Fanny, bursting into the studio three-quarters of an hour late because she had been hanging about the neighbourhood of the Foundling Hospital merely for the chance of seeing Jacob walk down the street, take out his latch-key, and open the door, “I’m afraid I’m late”; upon which Nick said nothing and Fanny grew defiant.

“I’ll never come again!” she cried at length.

“Don’t, then,” Nick replied, and off she ran without so much as good-night.

How exquisite it was—­that dress in Evelina’s shop off Shaftesbury Avenue!  It was four o’clock on a fine day early in April, and was Fanny the one to spend four o’clock on a fine day indoors?  Other girls in that very street sat over ledgers, or drew long threads wearily between silk and gauze; or, festooned with ribbons in Swan and Edgars, rapidly added up pence and farthings on the back of the bill and twisted the yard and three-quarters in tissue paper and asked “Your pleasure?” of the next comer.

In Evelina’s shop off Shaftesbury Avenue the parts of a woman were shown separate.  In the left hand was her skirt.  Twining round a pole in the middle was a feather boa.  Ranged like the heads of malefactors on Temple Bar were hats—­emerald and white, lightly wreathed or drooping beneath deep-dyed feathers.  And on the carpet were her feet—­pointed gold, or patent leather slashed with scarlet.

Feasted upon by the eyes of women, the clothes by four o’clock were flyblown like sugar cakes in a baker’s window.  Fanny eyed them too.  But coming along Gerrard Street was a tall man in a shabby coat.  A shadow fell across Evelina’s window—­Jacob’s shadow, though it was not Jacob.  And Fanny turned and walked along Gerrard Street and wished that she had read books.  Nick never read books, never talked of Ireland, or the House of Lords; and as for his finger-nails!  She would learn Latin and read Virgil.  She had been a great reader.  She had read Scott; she had read Dumas.  At the Slade no one read.  But no one knew Fanny at the Slade, or guessed how empty it seemed to her; the passion for ear-rings, for dances, for Tonks and Steer—­when it was only the French who could paint, Jacob said.  For the moderns were futile; painting the least respectable of the arts; and why read anything but Marlowe and Shakespeare, Jacob said, and Fielding if you must read novels?

“Fielding,” said Fanny, when the man in Charing Cross Road asked her what book she wanted.

She bought Tom Jones.

At ten o’clock in the morning, in a room which she shared with a school teacher, Fanny Elmer read Tom Jones—­that mystic book.  For this dull stuff (Fanny thought) about people with odd names is what Jacob likes.  Good people like it.  Dowdy women who don’t mind how they cross their legs read Tom Jones—­a mystic book; for there is something, Fanny thought, about books which if I had been educated I could have liked—­ much better than ear-rings and flowers, she sighed, thinking of the corridors at the Slade and the fancy-dress dance next week.  She had nothing to wear.