Mayor Mitchel, and LaFollette. In America we
get little politics out of the theater. In France,
where they distrust the newspapers, they get much
politics from the theater. The theater is free
in France—and apparently not so closely
censored as the newspapers. We learned that night
at the revue of a coming cabinet crisis, before the
newspapers announced it. And in learning of the
crisis we had this curious social experience, which
we modestly hoped was quite as Parisian as the Revue.
During the first act of the show it was Greek to Henry
and me. We could understand a vaudeville show,
and by following the synopsis could poke along after
the pantomime in a comedy. But here in this revue,
where the refinements of sarcasm and satire were at
play and that without a cue, we were stumped.
Henry was for getting out and going somewhere else.
But we had a dollar a seat in the show and it seemed
to me that patience would bring results. And
it did! A good-looking, middle-aged couple sat
down in the seats next to us, and the woman began
talking English. She was sitting next to me,
so it was my turn, not Henry’s to speak.
We asked her if it would be too much trouble to interpret
the show for two jays from Middle Western America.
She replied cordially enough. And she gave us
a splendid running interpretation of the show.
The man with her seemed friendly. We noticed
that he was slyly holding her hand in the dark, and
that once he slipped his arm around her when the lights
went clear down. But that spelled a newly married
middle-aged couple, and we would have bet money that
he was a widower and she, late from his office, was
at the head of his household. Between acts he
and Henry went out to smoke, leaving me with the lady.
We exchanged confidences of one sort and another after
the manner of strangers in a strange land. When
it occurred to me to ask: “What does your
husband do for a living?”
“My—what?” she exclaimed.
“Your husband, there?”
“Who—that man? Why, I never
saw him in my life until I picked him up in a cafe
an hour ago!”
And she got from me a somewhat gaspy “Oh.”
But we had a good chat just the same and she told
me all about the coming fall of the cabinet.
Her type in America would not be interested in politics.
But the shows of the boulevards discuss politics and
the theaters are free! So her type in France
had to know politics. It takes all kinds of people
and also all kinds of peoples to make a world.
And the war really is being fought so that they may
work out their lives and their national traditions
freely and after the call of their own blood.
If we are to have only one kind of people, the kind
is easy to find. There is kultur!