Ratisbon had done her best to receive this guest, whom she especially desired to honour, with all possible magnificence.  Flags and streamers bearing the colours of the empire, with the Burgundian red and gold of the Emperor, the silver-crossed keys on a red field of the city of Ratisbon, and with the Saxon coats of arms, rose amid the leafy tops of the lindens, and floated from tall poles in the sunny May air.  The blue and yellow Saxon flag, with the black and yellow chevron in the field and a lozenged chaplet from the left corner to the top, was more frequently seen than any other banner.

Even though this festival was held for Duke Maurice, no one could fail to notice how much more space was given to his escutcheon than to the Emperor’s.

The entertainment had opened at noon with a tournament and riding at the ring.  The duke had participated in the sport a short time, and carried off several rings on his sword while in full career.

The Emperor had held aloof from this game, in which he had formerly joined gladly and with much skill, but, on the other hand, he had promised to appear at the festival under the lindens, which was to last until night.  The Council had had a magnificent tent erected for him, Duke Maurice, and the court, and in order to ornament the interior suitably had allowed the use of the beautiful tapestries in the town hall.  These represented familiar incidents from famous love tales:  Tristan and Isolde seeing the face of King Mark in the mirror of the spring, Frau Venus as, surrounded by her court, she receives Tannhauser in the Horselberg, and similar scenes.  Other art textiles showed incidents in the lives of forest people—­little men and women in striped linen garments, wonderful trees and birds such as no human eye ever beheld—­but above the hangings a row of coats of arms again appeared, in which the imperial escutcheon alternated with the Saxon.

The front of the tent, covered with red and white material, stood open, permitting the guests who did not belong to the court to survey the interior.

Artistic platters, large dishes, in which dainty sweets and fruits were gracefully heaped and the cathedral of Ratisbon and other devices stood, the costly silverware of the city, and many beautifully formed wine flagons attracted the gaze.  Beside these were dishes of roast meats, fish, and cakes for the illustrious guests.

Stewards and guards of the Council, clad in red and white, with the crossed keys in silver embroidery on the shoulder, offered refreshments.  Two superb thrones stood ready for the Emperor and the duke, easy-chairs for the cardinals, princes, and counts, stools for the barons, knights, and ladies.

Opposite to the tent stands were erected for the Council, the patrician families, and the other ladies and gentlemen whom the city had invited to the festival.  In their midst rose a large, richly decorated stage for the Emperor’s orchestra, which, with his Majesty’s permission, had been induced to play a few pieces, and by the side of the stands was a towerlike structure, from whose summit the city pipers of Ratisbon, joined by those of Landshut, were to be heard.