When she again entered the little Prebrunn castle she would gladly have embraced the whole world.

From the litter she had noticed a light in the windows of the marquise’s sitting-room, but she could now look the poor old noblewoman freely in the face, for this time, sure of experiencing no sharp rebuff, she had found courage to speak of the son to her royal lover.

True, as soon as Charles heard what she desired, he kindly requested her not to sully her beautiful lips with the name of a scoundrel who had long since forfeited every claim to his favour, and her mission was thereby frustrated; but she had now kept her promise.

With the entreaty to spare him in future the pain of refusing any wish of the woman he loved, the disagreeable affair had been dismissed.

When Barbara took the lute, he had begged the fairest of all troubadours to sing once more, before any other song, his beloved “Quia amore langueo,” and the most vigorous applause was bestowed on every one which she afterward executed.

Now she had done all that was possible for the marquise, but no power on earth should induce her to undertake anything of the sort a second time; She was saying this to herself as she entered the little castle.

Let the old noblewoman come now!

She was not long in doing so.  But how she looked!

The little gray curls done up in papers stood out queerly from her narrow head.  Her haggard cheeks were destitute of rouge and lividly pale.

Her black eyes glittered strangely from their deep sockets as if she were insane, and ragged pieces of her morning dress, which she had torn in a fit of helpless fury, hung down upon her breast.

The sight made Barbara shudder.  She suspected the truth.

During her absence a new message of evil had reached the marquise.

Unless ten thousand lire could be sent to her son at once, he would be condemned to the galleys, and his child would be abandoned to misery and disgrace.

While speaking, the wretched mother, with trembling hands, tore out a locket which she wore on a little chain around her neck.  It contained the angelic face, painted on ivory by an artist’s hand, of a fair-haired little girl.  The child bore her name, Barbara.  The singer knew this.  How often the affectionate grandmother had told her with sparkling eyes of her little “Babette”!

The father chained to the rowers’ bench among the most abominable ruffians, this loveliest of children perishing in hunger, misery, and shame—­what a terrible picture!  Barbara beheld it with tangible distinctness, and while the undignified old aristocrat, deprived of all self-control, sobbed and besought her to have compassion, the girl who had grown up amid poverty and care went back in memory to the days when, to earn money for a thin soup, a bit of dry bread, a small piece of cheap cow beef, or to protect herself from the importunity of an unpaid tradesman, she had washed laces with her own delicate hands and seen her nobly born, heroic father scratch crooked letters and scrawling ornaments upon common gray tin.