The aged eyes, of the Emperor’s watchful companion, to whom up to the close of the repast he addressed only a few scattered words, also detected something else.  Rarely, but nevertheless several times, the Emperor glanced at the boy choir, and when, in doing so, his Majesty’s eyes met the singer’s, it was done in a way which proved to the marquise, who had acquired profound experience at the French court, that an understanding existed between the sovereign and the artist which could scarcely date from that day.  This circumstance must be considered, and behind the narrow, wrinkled brow of the old woman, whose cradle had stood in a ducal palace, thronged a succession of thoughts and plans precisely similar to those which had filled the inind of the dressmaker and ex-maid ere she gave Barbara her farewell kiss.

What the marquise at first had merely conjectured and put together from various signs, became, by constant assiduous observation, complete cer-tainty when the singer, after a tolerably long pause, joined in Josquin’s hymn to the Virgin.

In the Benedictio Mensae she remained silent, but at the first effective passage joined in the singing of the boys.

Not until the ‘Tu pulchra es’ did she display the full power of her art.

From the commencement she took part in the execution of this magnificent composition eagerly and with deep feeling, and when the closing bars began and the magic of her singing developed all its heart-thrilling power, the watchful lady in waiting perceived that his Majesty forgot the food and hung on Barbara’s lips as though spellbound.

This was something unprecedented.  But when the monarch continued for some time to display an abstemiousness so unlike him, the marquise cast a hasty glance of inquiry at Malfalconnet.  But the affirmative answer which she expected did not come.  Had the baron’s keen eve failed to notice so important a matter, or had his Majesty taken him into his confidence and commanded him to keep the secret?

That Malfalconnet was merely avoiding making common cause with the old intriguer, was a suspicion which vanity led her to reject the more positively the more frequently her countryman sought her to learn what he desired to know.

Besides, she soon required no further confirmation, for what now happened put an end to every doubt.

Barbara had to sing the “Quia amore langueo” again, and how it sounded this time to the listening hearer!

No voice which the Emperor Charles had ever heard had put such pure, bewitching melody into this expression of the deepest yearning.  It seemed as though the longing of the whole world was flowing to him from those fresh, young, beautifully formed red lips.

A heart which was not itself languishing for love could not pour forth to another with such convincing truth, overwhelming power, and glowing fervour the ardent longing of a soul seized by the omnipotence of love.