In the Grieb she was sure of finding admittance at once if she knocked at Frau Lerch’s window, while the cantor house was closed early, and a long time might pass before the door opened to her. Besides, she did not know how her father, who could never be depended upon in such matters, would regard the honour that awaited her; thirdly—and this alone was decisive —the white dress, which she meant to wear instead of the riding habit, was at Frau Lerch’s, and what good service the skilful, nimble fingers of her mother’s ex-maid could render in this hurried change of garb.
Besides, it had also darted into her mind that the baron might accompany her to her shabby abode, and that would have seemed like a humiliation. Why should the court know what indigent circumstances had been the portion of the artist to whom the Emperor, through no less a personage than Baron Malfalconnet, sent an “entreaty” for her appearance?
All this had been clear to her in the course of a few seconds, and her choice had proved fortunate, for the gate of the Grieb was still unlocked, and the old hostler Kunz, who had been in the service of the Gravenreuths, the former owners of the Grieb, and had known “Wawerl” from childhood, was just coming out of the tavern, and willingly agreed to take the gray back to Peter Schlumperger’s stable.
When Barbara entered the huge building a ray of light shone from the private chapel at the left, dedicated to Saint Dorothea.
This seemed to her like a sign from heaven, and, before knocking at Frau Lerch’s door, she glided into the sanctuary, threw herself upon her knees before the image of the saint, and besought her to bestow the most melting sweetness and the deepest influence upon her voice while singing before his Majesty.
Then it seemed as though the face of the kindly saint smiled assent, and in hurried words Barbara added that the great monarch was also the most thorough connoisseur, and the altar here should lack neither candles nor flowers if she would bestow upon her the power to win his approval. While speaking, she raised her clasped hands toward the Virgin’s image, and concluded her fervent prayer with the passionate exclamation: “Oh, hear me, hear me, thou inexhaustible fountain of mercy, for if I do not fulfil what he expected when he entreated me to sing before him, and I see that he lets me go disappointed, the peace of this heart will be destroyed! Hear, oh, hear me, august Queen of Heaven!”
Relieved and strengthened, she at last sprang up, and a few minutes after Frau Lerch, with loud exclamations of admiration, was combing her long, thick, waving locks of fair hair.
Overflowing with delight at such beauty, the thin little woman then helped her “darling Wawerl,” her “wonderfully sweet nightingale,” to change her dress.
Wolf’s gift, the velvet robe with the marten border, would have been too heavy and oppressive for singing, and, besides, was not yet finished. Barbara, she declared, had done right to choose the white one, which was intended for the next dance at the New Scales. Nothing could be more becoming to her enchanting little princess, and Barbara yielded herself entirely to the experienced assistant, who had all the laces and ribbons she needed close at hand. She could even supply her with new and dainty satin shoes.