During this preliminary conversation Hermon gained the composure he needed.

He began by ascertaining whether Chello remembered the interior arrangement of the burned white house, and it soon appeared that he recollected it accurately.

Then the blind man requested him to tell how the rescue of the statue had been managed, and the account of the extremely prosaic artisan described so clearly and practically how, on entering the burning building, he found Myrtilus’s studio already inaccessible, but the statue of Demeter in Hermon’s still uninjured, that the trustworthiness of his story could not be doubted.

One circumstance only appeared strange, yet it was easily explained.  Instead of standing on the pedestal, the Demeter was beside it, and even the slow-witted goldsmith inferred from this fact that the robbers had intended to steal it and placed it on the floor for that purpose, but were prevented from accomplishing their design by the interference of Hermon and the people from Tennis.

After the Egyptian, in reply to the artist’s inquiry concerning what other works of art and implements he had seen in the studio, had answered that nothing else could be distinguished on account of the smoke, he congratulated the sculptor on his last work.  People were already making a great stir about the new Demeter.  It had been discussed not only in the workshop of his brother, who, like himself, followed their father’s calling, but also in the offices, at the harbour, in the barbers’ rooms and the cookshops, and he, too, must admit that, for a Greek goddess, that always lacked genuine, earnest dignity, it really was a pretty bit of work.

Lastly, the Egyptian asked to whom he should apply for payment for the remainder of his labour.

The strip of gold, from which Hermon had ordered the diadem to be made, had attracted his attention on the head of his Demeter, and compensation for the work upon this ornament was still due.

Hermon, deeply agitated, asked, with glowing cheeks, whether Chello really positively remembered having prepared for him the gold diadem which he had seen in Alexandria, and the Egyptian eagerly assured him that he had done so.  Hitherto he had found the sculptors honest men, and Hermon would not withhold the payment for his well-earned toil.

The artist strenuously denied such an intention; but when, in his desire to have the most absolute assurance, he again asked questions about the diadem, the Egyptian thought that the blind sculptor doubted the justice of his demand, and wrathfully insisted upon his claim, until Gras managed to whisper, undetected by Hermon, that he would have the money ready for him.

This satisfied the angry man.  He honestly believed that he had prepared the gold for the ornament on the head of the Demeter in Alexandria; yet the statue chiselled by Myrtilus had also been adorned with a diadem, and Chello had wrought the strip of gold it required.  Only it had escaped his memory, because he had been paid for the work immediately after its delivery.