The barbarian yielded as obediently as a child, but at first remained in a sitting posture and asked, in scarcely intelligible broken Greek, how he came to this place.

After Hermon had satisfied his curiosity, he also put a few questions, and learned that his charge not only wore a mustache, like his fellow countrymen, but also a full beard, because the latter was the badge of the bridge builders, to which class he belonged.  While examining the one crossing the canal, it had fallen in upon him.

He closed his eyes as he spoke, and Hermon wondered if it was not time for him to lie down also; but the wounded man’s brow was still burning, and the Gallic words which he constantly muttered were probably about the phantoms of fever, which Hermon recognised from Lycon’s illness.

So he resolved to wait and continue to devote the night, which he had already intended to give him, to the sufferer.  From the chair at the foot of the bed he looked directly into his face.  The soft light of the lamp, which with two others hung from a tall, heavy bronze stand in the shape of an anchor, which Bias had brought, shone brightly enough to allow him to perceive how powerful was the man whose life he had saved.  His own face was scarcely lighter in hue than the barbarian’s, and how sharp was the contrast between his long, thick black beard and his white face and bare arched chest!

Hermon had noticed this same contrast in his own person.  Otherwise the Gaul did not resemble him in a single feature, and he might even have refused to compare his soft, wavy beard with the harsh, almost bristly one of the barbarian.  And what a defiant, almost evil expression his countenance wore when—­perhaps because his wound ached—­he closed his lips more firmly!  The children who so willingly let him, Hermon, take them in his arms would certainly have been afraid of this savage-looking fellow.

Yet in build, and at any rate in height and breadth of shoulders, there was some resemblance between him and the Gaul.

As a bridge builder, the injured man belonged, in a certain sense, to the ranks of the artists, and this increased Hermon’s interest in his patient, who was now probably out of the most serious danger.

True, the Greek still cast many a searching glance at the barbarian, but his eyes closed more and more frequently, and at last the idea took possession of him that he himself was the wounded man on the couch, and some one else, who again was himself, was caring for him.

He vainly strove to understand the impossibility of this division of his own being, but the more eagerly he did so the greater became his bewilderment.

Suddenly the scene changed; Ledscha had appeared.

Bending over him, she lavished words of love; but when, in passionate excitement, he sprang from the couch to draw her toward him, she changed into the Nemesis to whose statue she had just prayed.