Several times she took up the mirror, looked in it fixedly as before, and then gazed upwards; but each time that she lost consciousness of the material world and that her liberated soul began to move its unfettered pinions, some little noise, the twitch of a muscle, a fly settling on her hand, a drop of perspiration falling from her brow on to her cheek, roused her senses to reassert themselves.
Why—why was it so difficult to shake off this burthen of mortal clay? She thought of herself as of a sculptor who chisels away all superfluous material froth his block of marble, to reveal the image of the god within; but it was easier to remove the enclosing stone than to release the soul from the body to which it was so closely knit. Still, she did not give up the struggle to attain the object which others had achieved before her; but she got no nearer to it—indeed, less and less near, for, between her and that hoped-for climax, rose up a series of memories and strange faces which she could not get rid of. The chisel slipped aside, went wrong or lost its edge before the image could be extracted from the block.
One illusion after another floated before her eyes first it was Gorgo, the idol of her old heart, lying pale and fair on a sea of surf that rocked her on its watery waste—up high on the crest of a wave and then deep down in the abyss that yawned behind it. She, too—so young, a hardly-opened blossom—must perish in the universal ruin, and be crushed by the same omnipotent hand that could overthrow the greatest of the gods; and a glow of passionate hatred snatched her away from the aim of her hopes. Then the dream changed she saw a scattered flock of ravens flying in wide circles, at an unattainable height, against the clouds; suddenly they vanished