“Your cloak hangs with a wonderfully-free flow from your shoulders—­in the name of all the gods do not touch it.  If only I might model from it I should in a few minutes gain a whole day for our Berenice.  I will wet the handkerchief at intervals in the pauses.”  Without waiting for Selene’s answer the sculptor hastened into his nook and returned first with one of the lamps he worked by in each hand, and some small tools in his mouth, and then fetched his wax model which he placed on the outer side of the table, behind which the steward was sleeping.  The tapers were put out, the lamps pushed aside, and raised or lowered, and when at last a tolerably suitable light was procured Pollux threw himself on a stool, straddled his legs, craned his head forward as far as his neck would allow, looking, with his hooked nose, like a vulture that strives to descry his distant prey-cast his eyes down, raised them again to take in something fresh, and after a long gaze looked down again while his fingers and nails moved over the surface of the wax-figure, sinking into the plastic material, applying new pieces to apparently complete portions, removing others with a decided nip and rounding them off with bewildering rapidity to use them for a fresh purpose.

He seemed to be seized with cramp in his hands, but still under his knotted brow his eye shone earnest, resolute and calm, and yet full of profound and speechless inspiration.  Selene had said not a word that permitted his using her as a model; but, as if his enthusiasm was infectious, she remained motionless, and when, as he worked, his gaze met hers she could detect the stern earnestness which at this moment possessed her eager companion.

Neither of them opened their lips for some time.  At last he stood back from his work, stooping low to look first at Selene and then at his statuette with keen examination from head to foot; and then, drawing a deep breath, and rubbing the wax over with his finger, he said: 

“There, that is how it must go!  Now I will wet your father’s handkerchief and then we can go on again.  If you are tired you can rest.”

She availed herself but little of this permission and presently he began work again.  As he proceeded carefully to replace some folds of her drapery which had fallen out of place, she moved her foot as if to draw back, but he begged her earnestly to stand still and she obeyed his request.

Pollux now used his fingers and modelling tools more calmly; his gaze was less wistful and he began to talk again.

“You are very pale,” he said.  “To be sure the lamp-light and a sleepless night have something to do with it.”

“I look just the same by daylight, but I am not ill.”

“I thought Arsinoe would have been like your mother, but now I see many features of her face in yours again.  The oval of their form is the same and, in both, the line of the nose runs almost straight to the forehead; you have her eyes and the same bend of the brow, but your mouth is smaller and more sharply cut, and she could hardly have made such a heavy knot of her hair.  I fancy, too, that yours is lighter than hers.”