As in my last two romances, so in “The Emperor,” I have added no notes:  I do this in the pleasant conviction of having won the confidence of my readers by my historical and other labors.  Nothing has encouraged me to fresh imaginative works so much as the fact that through these romances the branch of learning that I profess has enlisted many disciples whose names are now mentioned with respect among Egyptologists.  Every one who is familiar with the history of Hadrian’s time will easily discern by trifling traits from what author or from which inscription or monument the minor details have been derived, and I do not care to interrupt the course of the narrative and so spoil the pleasure of the larger class of readers.  It would be a happiness to me to believe that this tale deserves to be called a real work of art, and, as such, its first function should be to charm and elevate the mind.  Those who at the same time enrich their knowledge by its study ought not to detect the fact that they are learning.

Those who are learned in the history of Alexandria under the Romans may wonder that I should have made no mention of the Therapeutai on Lake Mareotis.  I had originally meant to devote a chapter to them, but Luca’s recent investigations led me to decide on leaving it unwritten.  I have given years of study to the early youth of Christianity, particularly in Egypt, and it affords me particular satisfaction to help others to realize how, in Hadrian’s time, the pure teaching of the Saviour, as yet little sullied by the contributions of human minds, conquered—­and could not fail to conquer—­the hearts of men.  Side by side with the triumphant Faith I have set that noble blossom of Greek life and culture—­Art which in later ages, Christianity absorbed in order to dress herself in her beautiful forms.  The statues and bust of Antinous which remain to us of that epoch, show that the drooping tree was still destined to put forth new leaves under Hadrian’s rule.

The romantic traits which I have attributed to the character of my hero, who travelled throughout the world, climbing mountains to rejoice in the splendor of he rising sun, are authentic.  One of the most difficult tasks I have ever set myself was to construct from the abundant but essentially contradictory accounts of Hadian a human figure in which I could myself at all believe; still, how gladly I set to work to do so!  There was much to be considered in working out this narraive, but the story itself has flowed straight from the ieart of the writer; I can only hope it may find its way to that of the reader.

     Leipzig, November, 1880.

GeorgEbers.

THE EMPEROR.

CHAPTER I.

The morning twilight had dawned into day, and the sun had risen on the first of December of the year of our Lord 129, but was still veiled by milk-white mists which rose from the sea, and it was cold.