“Very true,” replied the German, “and the character of Richter is too marked to be easily misunderstood.  Its prominent traits are tenderness and manliness,—­qualities, which are seldom found united in so high a degree as in him.  Over all he sees, over all he writes, are spread the sunbeams of a cheerful spirit,—­the light of inexhaustible human love.  Every sound of human joy and of human sorrow finds a deep-resoundingecho in his bosom.  In every man, he loves his humanity only, not his superiority.  The avowed object of all his literary labors was to raise up again the down-sunken faith in God, virtue, and immortality; and, in an egotistical, revolutionary age, to warm again our human sympathies, which have now grown cold.  And not less boundless is his love for nature,—­for this outward, beautiful world.  He embraces it all in his arms.”

“Yes,” answered Flemming, almost taking the words out of the stranger’s mouth, “for in his mind all things become idealized.  He seems to describe himself when he describes the hero of his Titan, as a child, rocking in a high wind upon the branches of a full-blossomed apple-tree, and, as its summit, blown abroad by the wind, now sunk him in deep green, and now tossed him aloft in deep blue and glancing sunshine,—­in his imagination stood that tree gigantic;—­it grew alone in the universe, as if it were the tree of eternal life; its roots struck down into the abyss; the white and red clouds hung as blossoms upon it; the moon asfruit; the little stars sparkled like dew, and Albano reposed in its measureless summit; and a storm swayed the summit out of Day into Night, and out of Night into Day.”

“Yet the spirit of love,” interrupted the Franconian, “was not weakness, but strength.  It was united in him with great manliness.  The sword of his spirit had been forged and beaten by poverty.  Its temper had been tried by a thirty years’ war.  It was not broken, not even blunted; but rather strengthened and sharpened by the blows it gave and received.  And, possessing this noble spirit of humanity, endurance, and self-denial, he made literature his profession; as if he had been divinely commissioned to write.  He seems to have cared for nothing else, to have thought of nothing else, than living quietly and making books.  He says, that he felt it his duty, not to enjoy, nor to acquire, but to write; and boasted, that he had made as many books as he had lived years.”

“And what do you Germans consider the prominent characteristics of his genius?”

“Most undoubtedly his wild imagination and his playfulness.  He throws over all things a strange and magic coloring.  You are startled at the boldness and beauty of his figures and illustrations, which are scattered everywhere with a reckless prodigality;—­multitudinous, like the blossoms of early summer,—­and as fragrant and beautiful.  With a thousand extravagances are mingled ten thousand beauties of thought and expression, which kindle the reader’s imagination, and lead