He had supped in four minutes.  His coat off, his sleeves rolled up, he was scrubbing his hands in a tin basin in the sink, using the bar of yellow kitchen soap.

Carol had not dared to look into the farther room while she labored over the supper of beer, rye bread, moist cornbeef and cabbage, set on the kitchen table.  The man in there was groaning.  In her one glance she had seen that his blue flannel shirt was open at a corded tobacco-brown neck, the hollows of which were sprinkled with thin black and gray hairs.  He was covered with a sheet, like a corpse, and outside the sheet was his right arm, wrapped in towels stained with blood.

But Kennicott strode into the other room gaily, and she followed him.  With surprising delicacy in his large fingers he unwrapped the towels and revealed an arm which, below the elbow, was a mass of blood and raw flesh.  The man bellowed.  The room grew thick about her; she was very seasick; she fled to a chair in the kitchen.  Through the haze of nausea she heard Kennicott grumbling, “Afraid it will have to come off, Adolph.  What did you do?  Fall on a reaper blade?  We’ll fix it right up.  Carrie!  Carol!”

She couldn’t—­she couldn’t get up.  Then she was up, her knees like water, her stomach revolving a thousand times a second, her eyes filmed, her ears full of roaring.  She couldn’t reach the dining-room.  She was going to faint.  Then she was in the dining-room, leaning against the wall, trying to smile, flushing hot and cold along her chest and sides, while Kennicott mumbled, “Say, help Mrs. Morgenroth and me carry him in on the kitchen table.  No, first go out and shove those two tables together, and put a blanket on them and a clean sheet.”

It was salvation to push the heavy tables, to scrub them, to be exact in placing the sheet.  Her head cleared; she was able to look calmly in at her husband and the farmwife while they undressed the wailing man, got him into a clean nightgown, and washed his arm.  Kennicott came to lay out his instruments.  She realized that, with no hospital facilities, yet with no worry about it, her husband—­her husband—­was going to perform a surgical operation, that miraculous boldness of which one read in stories about famous surgeons.

She helped them to move Adolph into the kitchen.  The man was in such a funk that he would not use his legs.  He was heavy, and smelled of sweat and the stable.  But she put her arm about his waist, her sleek head by his chest; she tugged at him; she clicked her tongue in imitation of Kennicott’s cheerful noises.

When Adolph was on the table Kennicott laid a hemispheric steel and cotton frame on his face; suggested to Carol, “Now you sit here at his head and keep the ether dripping—­about this fast, see?  I’ll watch his breathing.  Look who’s here!  Real anesthetist!  Ochsner hasn’t got a better one!  Class, eh? . . .  Now, now, Adolph, take it easy.  This won’t hurt you a bit.  Put you all nice and asleep and it won’t hurt a bit.  Schweig’ mal!  Bald schlaft man grat wie ein Kind.  So!  So!  Bald geht’s besser!”