Have you ever read Cleopatra or Cassandra or any books of the kind?  The author selects some well-known event, he then adapts it to his purpose, adorns it with details of his own invention, with people who never existed, with imaginary portraits; thus he piles fiction on fiction to lend a charm to his story.  I see little difference between such romances and your histories, unless it is that the novelist draws more on his own imagination, while the historian slavishly copies what another has imagined; I will also admit, if you please, that the novelist has some moral purpose good or bad, about which the historian scarcely concerns himself.

You will tell me that accuracy in history is of less interest than a true picture of men and manners; provided the human heart is truly portrayed, it matters little that events should be accurately recorded; for after all you say, what does it matter to us what happened two thousand years ago?  You are right if the portraits are indeed truly given according to nature; but if the model is to be found for the most part in the historian’s imagination, are you not falling into the very error you intended to avoid, and surrendering to the authority of the historian what you would not yield to the authority of the teacher?  If my pupil is merely to see fancy pictures, I would rather draw them myself; they will, at least, be better suited to him.

The worst historians for a youth are those who give their opinions.  Facts!  Facts! and let him decide for himself; this is how he will learn to know mankind.  If he is always directed by the opinion of the author, he is only seeing through the eyes of another person, and when those ayes are no longer at his disposal he can see nothing.

I leave modern history on one side, not only because it has no character and all our people are alike, but because our historians, wholly taken up with effect, think of nothing but highly coloured portraits, which often represent nothing. [Footnote:  Take, for instance, Guicciardini, Streda, Solis, Machiavelli, and sometimes even De Thou himself.  Vertot is almost the only one who knows how to describe without giving fancy portraits.] The old historians generally give fewer portraits and bring more intelligence and common-sense to their judgments; but even among them there is plenty of scope for choice, and you must not begin with the wisest but with the simplest.  I would not put Polybius or Sallust into the hands of a youth; Tacitus is the author of the old, young men cannot understand him; you must learn to see in human actions the simplest features of the heart of man before you try to sound its depths.  You must be able to read facts clearly before you begin to study maxims.  Philosophy in the form of maxims is only fit for the experienced.  Youth should never deal with the general, all its teaching should deal with individual instances.