See then, my dear Temple, what horrid malice possesses him, to the ruin and confusion of innocence!  A wretch! to have no other design in his addresses and assiduities to Miss Temple, but to give a greater air of probability to the calumnies with which he has loaded her.  You look upon me with astonishment, and seem to doubt the truth of what I advance; but I do not desire you to believe me without evidence:  ‘Here,’ said she, drawing a paper out of her pocket, ’see what a copy of verses he has made in your praise, while he lulls your credulity to rest, by flattering speeches and feigned respect.’”

After saying this, the perfidious Hobart showed her half-a-dozen couplets full of strained invective and scandal, which Rochester had made against the former maids of honour.  This severe and cutting lampoon was principally levelled against Miss Price, whose person he took to pieces in the most frightful and hideous manner imaginable.  Miss Hobart had substituted the name of Temple instead of Price, which she made to agree both with the measure and tune of the song.  This effectually answered Hobart’s intentions:  the credulous Temple no sooner heard her sing the lampoon, but she firmly believed it to be made upon herself; and in the first transports of her rage, having nothing so much at heart as to give the lie to the fictions of the poet:  “Ah! as for this, my dear Hobart,” said she, “I can bear it no longer:  I do not pretend to be so handsome as some others; but as for the defects that villain charges me with, I dare say, my dear Hobart, there is no woman more free from them:  we are alone, and I am almost inclined to convince you by ocular demonstration.”  Miss Hobart was too complaisant to oppose this motion; but, although she soothed her mind by extolling all her beauties, in opposition to Lord Rochester’s song, Miss Temple was almost driven to distraction by rage and astonishment, that the first man she ever attended to should, in his conversation with her, not even make use of a single word of truth, but that he should likewise have the unparalleled cruelty falsely to accuse her of defects; and not being able to find words capable of expressing her anger and resentment, she began to weep like a child.

Miss Hobart used all her endeavours to comfort her, and chid her for being so much hurt with the invectives of a person whose scandalous impostures were too well known to make any impression:  she however advised her never to speak to him any more, for that was the only method to disappoint his designs; that contempt and silence were, on such occasions, much preferable to any explanation, and that if he could once obtain a hearing, he would be justified, but she would be ruined.