the uproar was the sight that met my eyes. The
boys, nine or ten sturdy little rustics with round
sunburnt West Country faces, were playing the roughest
game ever witnessed in a church. Some were engaged
in a sort of flying fight, madly pursuing one another
up and down the aisles and over the pews, and whenever
one overtook another he would seize hold of him and
they would struggle together until one was thrown and
received a vigorous pommelling. Those who were
not fighting were dancing to the music. It was
great fun to them, and they were shouting and laughing
their loudest only not a sound of it all could be
heard on account of the thunderous roar of the organ
which filled and seemed to make the whole building
tremble. The boys took no notice of me, and seeing
that there was a singularly fine west window, I went
to it and stood there some time with my back to the
game which was going on at the other end of the building,
admiring the beautiful colours and trying to make
out the subjects depicted. In the centre part,
lit by the after-glow in the sky to a wonderful brilliance,
was the figure of a saint, a lovely young woman in
a blue robe with an abundance of loose golden-red hair
and an aureole about her head. Her pale face
wore a sweet and placid expression, and her eyes of
a pure forget-me-not blue were looking straight into
mine. As I stood there the music, or noise,
ceased and a very profound silence followed—not
a giggle, not a whisper from the outrageous young
barbarians, and not a sound of the organist or of
anyone speaking to them. Presently I became conscious
of some person standing almost but not quite abreast
of me, and turning sharply I found a clergyman at
my side. He was the vicar, the person who had
been letting himself go on the organ; a slight man
with a handsome, pale, ascetic face, clean-shaven,
very dark-eyed, looking more like an Italian monk
or priest than an English clergyman. But although
rigidly ecclesiastic in his appearance and dress,
there was something curiously engaging in him, along
with a subtle look which it was not easy to fathom.
There was a light in his dark eyes which reminded
me of a flame seen through a smoked glass or a thin
black veil, and a slight restless movement about the
corners of his mouth as if a smile was just on the
point of breaking out. But it never quite came;
he kept his gravity even when he said things which
would have gone very well with a smile.
“I see,” he spoke, and his penetrating musical voice had, too, like his eyes and mouth, an expression of mystery in it, “that you are admiring our beautiful west window, especially the figure in the centre. It is quite new—everything is new here—the church itself was only built a few years ago. This window is its chief glory: it was done by a good artist—he has done some of the most admired windows of recent years; and the centre figure is supposed to be a portrait of our generous patroness. At all events she sat for it to him. You have probably heard of Lady Y—?”