This, I take it, is a satisfaction, a sweetness and peace to the soul in nature, because it carries with it a sense of the continuity of the human race, its undying vigour, its everlastingness. After all the tempests that have overcome it, through all mutations in such immense stretches of time, how stable it is!
I recall the time when I lived on a vast vacant level green plain, an earth which to the eye, and to the mind which sees with the eye, appeared illimitable, like the ocean; where the house I was born in was the oldest in the district—a century old, it was said; where the people were the children’s children of emigrants from Europe who had conquered and colonized the country, and had enjoyed but half a century of national life. But the people who had possessed the land before these emigrants—what of them? They, were but a memory, a tradition, a story told in books and hardly more to us than a fable; perhaps they had dwelt there for long centuries, or for thousands of years; perhaps they had come, a wandering horde, to pass quickly away like a flight of migrating locusts; for no memorial existed, no work of their hands, not the faintest trace of their occupancy.
Walking one day at the side of a ditch, which had been newly cut through a meadow at the end of our plantation, I caught sight of a small black object protruding from the side of the cutting, which turned out to be a fragment of Indian pottery made of coarse clay, very black, and rudely ornamented on one side. On searching further a few more pieces were found. I took them home and preserved them carefully, experiencing a novel and keen sense of pleasure in their possession; for though worthless, they were man’s handiwork, the only real evidence I had come upon of that vanished people who had been before us; and it was as if those bits of baked clay, with a pattern incised on them by a man’s finger-nail, had in them some magical property which enabled me to realize the past, and to see that vacant plain repeopled with long dead and forgotten men.