At noon, on one of those madcap April days of that Coniston country, Jock descended from his work on the steeple to perceive the ungainly figure of Jethro Bass coming toward him across the green.  Jethro was about thirty years of age, and he wore a coonskin cap even in those days, and trousers tacked into his boots.  He carried his big head bent forward, a little to one aide, and was not, at first sight, a prepossessing-looking person.  As our story largely concerns him and we must get started somehow, it may as well be to fix a little attention on him.

“Heigho!” said Jock, rubbing his hands on his leather apron.

“H-how be you, Jock?” said Jethro, stopping.

“Heigho!” cried Jock, “what’s this game of fox and geese you’re a-playin’ among the farmers?”

“C-callate to git the steeple done before frost?” inquired Jethro, without so much as a smile.  “B-build it tight, Jock—­b-build it tight.”

“Guess he’ll build his’n tight, whatever it is,” said Jock, looking after him as Jethro made his way to the little tannery near by.

Let it be known that there was such a thing as social rank in Coniston; and something which, for the sake of an advantageous parallel, we may call an Established Church.  Coniston was a Congregational town still, and the deacons and dignitaries of that church were likewise the pillars of the state.  Not many years before the time of which we write actual disestablishment had occurred, when the town ceased—­as a town—­to pay the salary of Priest Ware, as the minister was called.  The father of Jethro Bass, Nathan the currier, had once, in a youthful lapse, permitted a Baptist preacher to immerse him in Coniston Water.  This had been the extent of Nathan’s religion; Jethro had none at all, and was, for this and other reasons, somewhere near the bottom of the social scale.

“Fox and geese!” repeated Jock, with his eyes still on Jethro’s retreating back.  The builder of the meetinghouse rubbed a great, brown arm, scratched his head, and turned and came face to face with Cynthia Ware, in a poke bonnet.

Contrast is a favorite trick of authors, and no greater contrast is to be had in Coniston than that between Cynthia Ware and Jethro Bass.  In the first place; Cynthia was the minister’s daughter, and twenty-one.  I can summon her now under the great maples of the village street, a virginal figure, gray eyes that kindled the face shaded by the poke bonnet, and up you went above the clouds.

“What about fox and geese, Jock?” said Cynthia.

“Jethro Bass,” said Jock, who, by reason of his ability, was a privileged character.  “Mark my words, Cynthy, Jethro Bass is an all-fired sight smarter that folks in this town think he be.  They don’t take notice of him, because he don’t say much, and stutters.  He hain’t be’n eddicated a great deal, but I wouldn’t be afeard to warrant he’d make a racket in the world some of these days.”