“sit non doctissima conjux, Sit nox cum somno, sit sine lite dies;”
denounces the Slavs as incapable of being welded into a nation, urging that their independence must destroy Austria-Hungary, a consummation desired by Madame Novikoff, with her feline contempt for “poor dear Austria,” but which all must unite to prevent if they would avert a European war.
How could one clear harp, men asked themselves as they read, have produced so diverse tones? The riddle is solved when we learn that the first part only was from Kinglake’s pen: having vindicated his friend’s ability and good faith, her right to speak and to be heard attentively, he left the survey of her views, with which he probably disagreed, to the originally assigned reviewer. The article, Madame Novikoff tells us in the “Nouvelle Revue,” was received avec une stupefaction unanime. It formed the general talk for many days, was attributed to Lord Salisbury, was supposed to have been inspired by Prince Gortschakoff. The name standing against it in Messrs. Murray’s books, as they kindly inform me, is that of a writer still alive, and better known now than then, but they never heard that Kinglake had a hand in it; the editor would seem to have kept his secret even from the publishers. Kinglake sent the article in proof to the lady; hoped that the facts he had imparted and the interpolations he had inserted would please her; he could have made the attack on Russia more pointed had he written it; she would think the leniency shows a fault on the right side; he did not know the writer of this latter part. He begged her to acquaint her friends in Moscow what an important and majestic organ is “The Quarterly,” how weighty therefore its laudation of herself. She recalls his bringing her soon afterwards an article