It was surrounded on three sides by a dyke of stones and sod, topped by a gray and uncertain paling.  Outside the dyke grew a row of tall fir trees with thick, balsamic boughs.  The dyke, which had been built by the first settlers of the Glen, was old enough to be beautiful, with mosses and green things growing out of its crevices, violets purpling at its base in the early spring days, and asters and golden-rod making an autumnal glory in its corners.  Little ferns clustered companionably between its stones, and here and there a big bracken grew.

On the eastern side there was neither fence nor dyke.  The graveyard there straggled off into a young fir plantation, ever pushing nearer to the graves and deepening eastward into a thick wood.  The air was always full of the harp-like voices of the sea, and the music of gray old trees, and in the spring mornings the choruses of birds in the elms around the two churches sang of life and not of death.  The Meredith children loved the old graveyard.

Blue-eyed ivy, “garden-spruce,” and mint ran riot over the sunken graves.  Blueberry bushes grew lavishly in the sandy corner next to the fir wood.  The varying fashions of tombstones for three generations were to be found there, from the flat, oblong, red sandstone slabs of old settlers, down through the days of weeping willows and clasped hands, to the latest monstrosities of tall “monuments” and draped urns.  One of the latter, the biggest and ugliest in the graveyard, was sacred to the memory of a certain Alec Davis who had been born a Methodist but had taken to himself a Presbyterian bride of the Douglas clan.  She had made him turn Presbyterian and kept him toeing the Presbyterian mark all his life.  But when he died she did not dare to doom him to a lonely grave in the Presbyterian graveyard over-harbour.  His people were all buried in the Methodist cemetery; so Alec Davis went back to his own in death and his widow consoled herself by erecting a monument which cost more than any of the Methodists could afford.  The Meredith children hated it, without just knowing why, but they loved the old, flat, bench-like stones with the tall grasses growing rankly about them.  They made jolly seats for one thing.  They were all sitting on one now.  Jerry, tired of leap frog, was playing on a jew’s-harp.  Carl was lovingly poring over a strange beetle he had found; Una was trying to make a doll’s dress, and Faith, leaning back on her slender brown wrists, was swinging her bare feet in lively time to the jew’s-harp.

Jerry had his father’s black hair and large black eyes, but in him the latter were flashing instead of dreamy.  Faith, who came next to him, wore her beauty like a rose, careless and glowing.  She had golden-brown eyes, golden-brown curls and crimson cheeks.  She laughed too much to please her father’s congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring—­in the church-porch at that—­“The world isn’t a vale of tears, Mrs. Taylor.  It’s a world of laughter.”