“We usually select a ‘dumb act’ for the first act on the bill.  It may be a dancing act, some good animal act, or any act that makes a good impression and will not be spoiled by the late arrivals seeking their seats.  Therefore it sometimes happens that we make use of a song-and-dance turn, or any other little act that does not depend on its words being heard.

“For number two position we select an interesting act of the sort recognized as a typical ‘vaudeville act.’  It may be almost anything at all, though it should be more entertaining than the first act.  For this reason it often happens that a good man-and-woman singing act is placed here.  This position on the bill is to ‘settle’ the audience and to prepare it for the show.

“With number three position we count on waking up the audience.  The show has been properly started and from now on it must build right up to the finish.  So we offer a comedy dramatic sketch—­a playlet that wakens the interest and holds the audience every minute with a culminative effect that comes to its laughter-climax at the ‘curtain,’ or any other kind of act that is not of the same order as the preceding turn, so that, having laid the foundations, we may have the audience wondering what is to come next.

“For number four position we must have a ‘corker’ of an act—­and a ‘name.’  It must be the sort of act that will rouse the audience to expect still better things, based on the fine performance of the past numbers.  Maybe this act is the first big punch of the show; anyway, it must strike home and build up the interest for the act that follows.

“And here for number five position, a big act, and at the same time another big name, must be presented.  Or it might be a big dancing act—­one of those delightful novelties vaudeville likes so well.  In any event this act must be as big a ‘hit’ as any on the bill.  It is next to intermission and the audience must have something really worth while to talk over.  And so we select one of the best acts on the bill to crown the first half of the show.

“The first act after intermission, number six on the bill, is a difficult position to fill, because the act must not let down the carefully built-up tension of interest and yet it must not be stronger than the acts that are to follow.  Very likely there is chosen a strong vaudeville specialty, with comedy well to the fore.  Perhaps a famous comedy dumb act is selected, with the intention of getting the audience back in its seats without too many conspicuous interruptions of what is going on on the stage.  Any sort of act that makes a splendid start-off is chosen, for there has been a fine first half and the second half must be built up again—­of course the process is infinitely swifter in the second half of the show—­and the audience brought once more into a delighted-expectant attitude.