(Enter MRS. WILSON, from right.)
MRS. WILSON: I must force a proposal of marriage out of Mr. Maynard today yet. It’s true I don’t love him, but he’s got lots of money, and money is everything in this world.
(Enter CHLORINDA from house, crying.)
MRS. WILSON: Why Chlorinda, what’s the matter?
CHLORINDA: I’se just been down to the cemetery.
MRS. WILSON: Well, you ought to laugh.
CHLORINDA: Why, why should I laugh?
MRS. WILSON: It’s the people who are in the cemetery and cannot get out who ought to be crying.
CHLORINDA: Dat’s all very well, Mrs. Wilson, but I jes’ copied some of de inscriptions off de tombstones, and I tells you I feels awful mournful about it.
MRS. WILSON: I don’t see why you should feel sad, Chlorinda.
CHLORINDA: You don’t? Well, jes’ listen to some of dese. (Reads from a stack of cards, one tombstone inscription being written on each card.)
“Here lies the body of Michael Burke, who lost his life while dodging work.”
“I loved my mother, I hated to leave her, but what can you do with the typhoid fever? "
“Mamma loves Papa, and Papa loves women; Mamma saw Papa with two girls in swimmin’.”
“Here lies the mother of 28; there might have been more, but now it’s too late.”
“Shed a few tears for Matty Mack, a trolley car hit her a slap in the back.”
“Here lies my poor wife much lamented. She’s happy and—well, I am contented.”
“Here lies the body of Martin Brown. He was blown in the air and he never came down.”
“Willie Greene, sad regrets—aged 9—cigarettes.”
(Enter MR. MAYNARD from house.)
MAYNARD: Won’t you step inside the house,
Mrs. Wilson—I mean
Alice—and have a glass of birthday punch
with the other ladies?
MRS. WILSON: Delighted, I’m sure. (Exits into house.)
CHLORINDA: Won’t I get punch, too?
MAYNARD: Yes, if you don’t get back to your work, you’ll get a punch in the jaw in about another minute.
MAYNARD: I hope some one comes along soon with a savage dog. I’d rather go to Charlie Doolittle’s funeral than to a picnic. (Looks off toward house.) Ah, there is Mrs. Wilson. How beautiful she is. I think this is my golden chance to propose to her. (Exits into house.)
(Enter HARVEY at centre, pulling FELIX in by chain fastened around his neck. FELIX now wears a dog’s head and body.)
HARVEY: (Aside to FELIX.) Now remember, all you have got to do is to act like a savage dog, and after I collect the money from Mr. Maynard, you’ll get yours.
FELIX: (Removing dog’s head.) I hope I don’t get it where I’ve got this collar.
HARVEY: Oh, you’ll get it all right.
FELIX: (Starting to leave stage.) I’m going home.
HARVEY: (Catching him by chain.) Here, here, where are you going?