Of course, every theatre is equipped with prop telephones and sets of dishes and silver for dinner scenes.  But there are few vaudeville houses in the country that have on hand a bed for the stage, although the sofa is commonly found.

A buffet, or sideboard, fully equipped with pitchers and wine glasses, is customary in every vaudeville property room.  And champagne is supplied in advertising bottles which “pop” and sparkle none the less realistically because the content is merely ginger ale.

While the foregoing is not an exhaustive list of what the property room of a vaudeville theatre may contain, it gives the essential properties that are commonly found.  Thus every ordinary requirement of the usual vaudeville act can be supplied.

The special properties that an act may require must be carried by the act.  For instance, if a playlet is laid in an artist’s studio there are all sorts of odds and ends that would lend a realistic effect to the scene.  A painter’s easel, bowls of paint brushes, a palette, half-finished pictures to hang on the walls, oriental draperies, a model’s throne, and half a dozen rugs to spread upon the floor, would lend an atmosphere of charming bohemian realism.

Special Sound-Effects fall under the same common-sense rule.  For, while all vaudeville theatres have glass crashes, wood crashes, slap-sticks, thunder sheets, cocoanut shells for horses’ hoof-beats, and revolvers to be fired off-stage, they could not be expected to supply such little-called-for effects as realistic battle sounds, volcanic eruptions, and like effects.

If an act depends on illusions for its appeal, it will, of course, be well supplied with the machinery to produce the required sounds.  And those that do not depend on exactness of illusion can usually secure the effects required by calling on the drummer with his very effective box-of-tricks to help out the property-man.

5.  The Lighting of the Vaudeville Stage

At the electrical switchboard centre all the lights of the theatre, as well as those of the stage itself.  Presided over by the electrician, the switchboard, so far as the stage and its light effects are concerned, commands two classes of lights.  The first of these is the arc light and the second the electric bulb.

The Spot-lights are the lamps that depend upon the arc for their illumination.  If you have ever sat in the gallery of any theatre, and particularly of a vaudeville theatre, you certainly have noticed the very busy young man whose sole purpose in life appears to be to follow the heroine around the stage with the focused spot of light that shines like a halo about her.  The lamp with which he accomplishes this difficult feat is appropriately called a “spot-light.”  While there are often spot-lights on the electrician’s “bridge,” as his balcony is called, the gallery out front is the surest place to find the spot-light.