Up to the year 1871 I had written little for publication beyond occasional contributions to the New York “Evangelist,” nor had I seriously contemplated a literary life. I had always been extremely fond of fiction, and from boyhood had formed a habit of beguiling the solitary hours in weaving crude fancies around people who for any reason interested me. I usually had a mental serial running, to which I returned when it was my mood; but I had never written even a short story. In October, 1871, I was asked to preach for a far uptown congregation in New York, with the possibility of a settlement in view. On Monday following the services of the Sabbath, the officers of the church were kind enough to ask me to spend a week with them and visit among the people. Meantime, the morning papers laid before us the startling fact that the city of Chicago was burning and that its population were becoming homeless. The tidings impressed me powerfully, waking the deepest sympathy. I said to myself, “Here is a phase of life as remarkable as any witnessed during the war.” I obeyed the impulse to be on the scene as soon as possible, stated my purpose to my friends, and was soon among the smoking ruins, finding an abiding-place with throngs of others in a partially finished hotel. For days and nights I wandered where a city had been, and among the extemporized places of refuge harboring all classes of people. Late one night I sat for a long time on the steps of Robert Collyer’s church and watched the full moon through the roofless walls and shattered steeple. There was not an evidence of life where had been populous streets. It was there and then, as nearly as I can remember, that the vague outlines of my first story, “Barriers Burned Away,” began to take form in my mind. I soon returned home, and began to dream and write, giving during the following year such hours as could be withdrawn from many other duties to the construction of the story. I wrote when and where I could—on steamboats, in railway cars, and at all odd hours of leisure, often with long breaks in the work of composition, caused by the pressure of other affairs, again getting up a sort of white heat from incessantly dwelling upon scenes and incidents that had become real to me. In brief, the story took possession of my mind, and grew as naturally as a plant or a weed in my garden.