definitely repulsing her demand that he should get
himself a new winter overcoat, she declared that it
was beyond all endurance. Mrs Murchison was surrounded,
indeed, by more of “that sort of thing”
than she could find use or excuse for; since, though
books made but a sporadic appearance, current literature,
daily, weekly, and monthly, was perpetually under
her feet. The Toronto paper came as a matter
of course, as the London daily takes its morning flight
into the provinces, the local organ as simply indispensable,
the Westminster as the corollary of church membership
and for Sunday reading. These were constant,
but there were also mutables—Once a Week,
Good Words for the Young, Blackwood’s, and the
Cornhill they used to be; years of back numbers Mrs
Murchison had packed away in the attic, where Advena
on rainy days came into the inheritance of them, and
made an early acquaintance with fiction in Ready Money
Mortiboy and Verner’s Pride, while Lorne, flat
on his stomach beside her, had glorious hours on The
Back of the North Wind. Their father considered
such publications and their successors essential, like
tobacco and tea. He was also an easy prey to the
subscription agent, for works published in parts and
paid for in instalments, a custom which Mrs Murchison
regarded with abhorrence. So much so that when
John put his name down for Masterpieces of the World’s
Art, which was to cost twenty dollars by the time
it was complete, he thought it advisable to let the
numbers accumulate at the store.
Whatever the place represented to their parents, it
was pure joy to the young Murchisons. It offered
a margin and a mystery to life. They saw it far
larger than it was; they invested it, arguing purely
by its difference from other habitations, with a romantic
past. “I guess when the Prince of Wales
came to Elgin, Mother, he stayed here,” Lorne
remarked, as a little boy. Secretly he and Advena
took up boards in more than one unused room, and rapped
on more than one thick wall to find a hollow chamber;
the house revealed so much that was interesting, it
was apparent to the meanest understanding that it must
hide even more. It was never half lighted, and
there was a passage in which fear dwelt—wild
were the gallopades from attic to cellar in the early
nightfall, when every young Murchison tore after every
other, possessed, like cats, by a demoniac ecstasy
of the gloaming. And the garden, with the autumn
moon coming over the apple trees and the neglected
asparagus thick for ambush, and a casual untrimmed
boy or two with the delicious recommendation of being
utterly without credentials, to join in the rout and
be trusted to make for the back fence without further
hint at the voice of Mrs Murchison—these
were joys of the very fibre, things to push ideas
and envisage life with an attraction that made it
worth while to grow up.