“I lost you,” he said, seizing her little hand, “and I was at the mercy of any flirt who chose to give me an inviting look.  It was your fault--you know it was—­why did you leave me?”

Carrie turned slowly away, and seemed to be mastering some impulse in silence.  Then she turned back.

“Ray,” she said, “the greatest happiness I have ever felt has been the thought that all your affection was forever bestowed upon a virtuous woman, your equal in family, fortune, and accomplishments.  What a revelation do you make to me now!  What is it makes you continually war with your happiness?”

The last question was asked so simply that it came to the audience and the lover as a personal thing.

At last it came to the part where the lover exclaimed, “Be to me as you used to be.”

Carrie answered, with affecting sweetness, “I cannot be that to you, but I can speak in the spirit of the Laura who is dead to you forever.”

“Be it as you will,” said Patton.

Hurstwood leaned forward.  The whole audience was silent and intent.

“Let the woman you look upon be wise or vain,” said Carrie, her eyes bent sadly upon the lover, who had sunk into a seat, “beautiful or homely, rich or poor, she has but one thing she can really give or refuse—­her heart.”

Drouet felt a scratch in his throat.

“Her beauty, her wit, her accomplishments, she may sell to you; but her love is the treasure without money and without price.”

The manager suffered this as a personal appeal.  It came to him as if they were alone, and he could hardly restrain the tears for sorrow over the hopeless, pathetic, and yet dainty and appealing woman whom he loved.  Drouet also was beside himself.  He was resolving that he would be to Carrie what he had never been before.  He would marry her, by George!  She was worth it.

“She asks only in return,” said Carrie, scarcely hearing the small, scheduled reply of her lover, and putting herself even more in harmony with the plaintive melody now issuing from the orchestra, “that when you look upon her your eyes shall speak devotion; that when you address her your voice shall be gentle, loving, and kind; that you shall not despise her because she cannot understand all at once your vigorous thoughts and ambitious designs; for, when misfortune and evil have defeated your greatest purposes, her love remains to console you.  You look to the trees,” she continued, while Hurstwood restrained his feelings only by the grimmest repression, “for strength and grandeur; do not despise the flowers because their fragrance is all they have to give.  Remember,” she concluded, tenderly, “love is all a woman has to give,” and she laid a strange, sweet accent on the all, “but it is the only thing which God permits us to carry beyond the grave.”

The two men were in the most harrowed state of affection.  They scarcely heard the few remaining words with which the scene concluded.  They only saw their idol, moving about with appealing grace, continuing a power which to them was a revelation.