How to consume the long, dreary hours between this time and that of my departure, I knew not; for though greatly fatigued, I felt that sleep was impossible; the usual resource of a gossip with the host was equally out of the question; and all that remained was the theatre, which I happily remembered was not far from the hotel.
It was an opera night, and the house was crowded to excess; but with some little management, I obtained a place in a box near the stage. The piece was “Les Franc Macons,” which was certainly admirably supported, and drew down from the audience—no mean one as judges of music—the loudest thunders of applause. As for me, the house was a great a curiosity as the opera. The novel spectacle of some hundred (thousand?) people relishing and appreciating the highest order of musical genius, was something totally new and surprising to me. The curtain at length fell upon the fifth act.
And now the deafening roar of acclamation was tremendous; and amid a perfect shout of enthusiasm, the manager announced the opera for the ensuing evening. Scarcely had this subsided, when a buzz ran through the house; at first subdued, but gradually getting louder—extending from the boxes to the balcone—from the balcone to the parterre—and finally even to the galleries. Groups of people stood upon the benches, and looked fixedly in one part of the house; then changed and regarded as eagerly the other.
What can this mean? thought I. Is the theatre on fire? Something surely has gone wrong!