Felix O'Day eBook

Francis Hopkinson Smith
This eBook from the Gutenberg Project consists of approximately 368 pages of information about Felix O'Day.

Felix O'Day eBook

Francis Hopkinson Smith
This eBook from the Gutenberg Project consists of approximately 368 pages of information about Felix O'Day.

Everything is ahead of time.  When little counter-panes of snow are still covering the baby crocuses away off in Central Park, down in Gramercy their pink and yellow heads are popping up all over the enclosure.  When the big trees in Union Square are stretching their bare arms, making ready to throw off the winter’s sleep, every tiny branch in Gramercy is wide awake and tingling with new life.  When countless dry roots in Madison Square are still slumbering under their blankets of straw, dreading the hour when they must get up and go to work, hundreds of tender green fingers in Gramercy are thrust out to the kindly sun, pleading for a chance to be up and doing.

And the race keeps up, Gramercy still ahead, until the goal of summer is won, and every blessed thing that could have burst into bloom has settled down to enjoy the siesta of the hot season.

Masie was never tired of watching these changes, her wonder and delight increasing as the season progressed.

In the earlier weeks there had been nothing but flower-beds covered with unsightly clods, muffled shrubs, and bandaged vines.  Then had come a blaze of tulips, exhausting the palette.  And then, but a short time before—­it seemed only yesterday—­every stretch of brown grass had lost its dull tints in a coat of fresh paint, on which the benches, newly scrubbed, were set, and each foot of gravelled walks had been raked and made ready for the little tots in new straw hats who were then trundling their hoops and would soon be chasing their first butterflies.

And now, on this lovely June morning, summer had come—­real summer—­for a mob of merry roses were swarming up a trellis in a mad climb to reach its top, the highest blossom waving its petals in triumph.

Felix waited until she had taken it all in, her face pressed between the bars (only the privileged possessing a key are admitted to the gardens within), Fudge scampering up and down, wild to get at the two gray squirrels, which some vandal has since stolen, and then, remembering his promise to Ganger, he called her to him and continued his walk.

But her morning outing was not over.  He must take her to the marble-cutter’s yard, filled with all sorts of statues, urns, benches, and columns, and show her again the ruts and grooves cut in the big stone well-head, and tell her once more the story of how it had stood in an old palace in Venice, where the streets were all water and everybody went visiting in boats.  And then she must stop at the florist’s to see whether he had any new ferns in his window, and have Felix again explain the difference between the big and little ferns and why the palms had such long leaves.

She was ready now for her visit to the two old painters, but this time Felix lingered.  He had caught sight of a garden wall in the rear of an old house, and with his hand in hers had crossed the street to study it the closer.  The wall was surmounted by a solid, wrought-iron railing into which some fifty years or more ago a gardener had twisted the tendrils of a wistaria.  The iron had cut deep, and so inseparable was the embrace that human skill could not pull them apart without destroying them both.

Copyrights
Project Gutenberg
Felix O'Day from Project Gutenberg. Public domain.