gain;
Whom Justice, pitying, chides from place to place,
A wandering, careless, wretched, merry race,
Whose cheerful looks assume, and play the parts
Of happy rovers with repining hearts;
Then cast off care, and in the mimic pain
Of tragic woe feel spirits light and vain,
Distress and hope—­the mind’s the body’s wear,
The man’s affliction, and the actor’s tear: 
Alternate times of fasting and excess
Are yours, ye smiling children of distress. 
   Slaves though ye be, your wandering freedom seems,
And with your varying views and restless schemes,
Your griefs are transient, as your joys are dreams. 
   Yet keen those griefs—­ah! what avail thy charms,
Fair Juliet! what that infant in thine arms;
What those heroic lines thy patience learns,
What all the aid thy present Romeo earns,
Whilst thou art crowded in that lumbering wain
With all thy plaintive sisters to complain? 
   Nor is there lack of labour—­To rehearse,
Day after day, poor scraps of prose and verse;
To bear each other’s spirit, pride, and spite;
To hide in rant the heart ache of the night;
To dress in gaudy patchwork, and to force
The mind to think on the appointed course; —
This is laborious, and may be defined
The bootless labour of the thriftless mind. 
   There is a veteran Dame:  I see her stand
Intent and pensive with her book in hand;
Awhile her thoughts she forces on her part,
Then dwells on objects nearer to the heart;
Across the room she paces, gets her tone,
And fits her features for the Danish throne;
To-night a queen—­I mark her motion slow,
I hear her speech, and Hamlet’s mother know. 
   Methinks ’tis pitiful to see her try
For strength of arms and energy of eye;
With vigour lost, and spirits worn away,
Her pomp and pride she labours to display;
And when awhile she’s tried her part to act,
To find her thoughts arrested by some fact;
When struggles more and more severe are seen,
In the plain actress than the Danish queen, —
At length she feels her part, she finds delight,
And fancies all the plaudits of the night;
Old as she is, she smiles at every speech,
And thinks no youthful part beyond her reach,
But as the mist of vanity again
Is blown away, by press of present pain,
Sad and in doubt she to her purse applies
For cause of comfort, where no comfort lies;
Then to her task she sighing turns again —
“Oh!  Hamlet, thou hast cleft my heart in twain!”
   And who that poor, consumptive, wither’d thing,
Who strains her slender throat and strives to sing? 
Panting for breath and forced her voice to drop,
And far unlike the inmate of the shop,
Where she, in youth and health, alert and gay,
Laugh’d off at night the labours of the day;
With novels, verses, fancy’s fertile powers,
And sister-converse pass’d the evening hours: 
But Cynthia’s soul was soft, her wishes strong,