There was one other stranger in Ravenna whose lamentations over the fate that had ever brought him thither were as loud as they were sincere. The poor old singing-master, Quinto Lalli, was left, by the death of his adopted daughter, as destitute of the means of support as desolate in his home and heart. He was not worth much; but it would be unjust to suppose of him that his violent outcry on her murderer was wholly or mainly prompted by the former consideration. There had been a real and strong affection between him and his adopted daughter, and her death in truth left him utterly desolate.
Yet he never again quitted the city he so much regretted having ever seen. His comfortable support was adequately provided for by the Marchese Ludovico. And often in after years—on summer evenings on a stone bench beneath a fig-tree in the garden of the cottage provided for him, and in winter at the chimney corner of its tiny parlour— might be seen the tall spare nun-like figure of a grave and gentle lady, earnestly labouring at the somewhat up-hill task of consoling the old man, and striving to shape the teachings of his Bohemian life to a better lesson than he was apt to draw from them. It was the Contessa Violante; and it may be concluded from her occupation both that she succeeded in escaping the pursuit of the Duca di San Sisto, and that her great-uncle the Cardinal did not succeed in becoming Pope at the most recent vacancy.
After the return of the Marchese and Marchesa di Castelmare to Ravenna, however, the greater number of the hours of the Contessa Violante were spent in the home of her little god-daughter Violante di Castelmare, and of her friend Paolina.