The intuitions are the bright band, without armor or shield, that slay the mailed and bucklered giants of the understanding. Government, institutions, religions, fall before the glance of the hero’s eye. Art and literature, Shakespeare, Angelo, Aeschylus, are humble suppliants before you, the king. The commonest fact is idealized, and the whole relation of man to the universe is thrown into a kind of gigantic perspective. It is not much to say there is exaggeration; the very start makes Mohammed’s attitude toward the mountain tame. The mountain shall come to Mohammed, and, in the eyes of all born readers of Emerson, the mountain does come, and comes with alacrity.
Some shrewd judges apprehend that Emerson is not going to last; basing their opinion upon the fact, already alluded to, that we outgrow him, or pass through him as through an experience that we cannot repeat. He is but a bridge to other things; he gets you over. He is an exceptional fact in literature, say they, and does not represent lasting or universal conditions. He is too fine for the rough wear and tear of ages. True, we do not outgrow Dante, or Cervantes, or Bacon; and I doubt if the Anglo-Saxon stock at least ever outgrows that king of romancers, Walter Scott. These men and their like appeal to a larger audience, and in some respects a more adult one, at least one more likely to be found in every age and people. Their achievement was more from the common level of human nature than are Emerson’s astonishing