their neighbours’ lands—though occasional
flashes of bravery and chivalry had glanced over their
annals in history like the light from a wandering
will o’ the wisp flickering over a morass.
Gifted in his art, but wholly undisciplined in his
nature, he had lived a life of selfish aims to selfish
ends, and in the course of it had made love to many
women,—one especially, on whose devoted
affections he had preyed like an insect that ungratefully
poisons the flower from which it has sucked the honey.
This woman, driven to bay at last by his neglect and
effrontery, had roused the scattered forces of her
pride and had given him his conge—and he
had been looking about for a fresh victim when he
met Innocent. She was a complete novelty to him,
and stimulated his more or less jaded emotions,—he
found her quaint and charming as a poet’s dream
of some nymph of the woodlands,—her manner
of looking at life and the things of life was so deliciously
simple—almost mediaeval,—for
she believed that a man should die rather than break
his word or imperil his honour, which to Jocelyn was
such a primitive state of things as to seem prehistoric.
Then there was her fixed and absurd “fancy”
about the noble qualities and manifold virtues of the
French knight who had served the Duc d’Anjou,—and
who had been to her from childhood a kind of lover
in the spirit,—a being whom she had instinctively
tried to serve and to please; and he had sufficient
imagination to understand and take advantage of the
feeling aroused in her when she had met one of the
same descent, and bearing the same name, in himself.
He had run through the gamut of many emotions and
sentiments,—he had joined one or two of
the new schools of atheism and modernism started by
certain self-opinionated young University men, and
in the earlier stages of his career had in the cock-sure
impulse of youth designed schemes for the regeneration
of the world, till the usual difficulties presented
themselves as opposed to such vast business,—he
had associated himself with men who followed what is
called the “fleshly school” of poetry and
art generally, and had evolved from his own mentality
a comfortable faith of which the chief tenet was “Self
for Self”—a religion which lifts the
mind no higher than the purely animal plane;—and
in its environment of physical consciousness and agreeable
physical sensations, he was content to live.
With such a temperament and disposition as he possessed, which swayed him hither and thither on the caprice or impulse of the moment, his intentions toward Innocent were not very clear even to himself. When he had begun his “amour” with her he had meant it to go just as far as should satisfy his own whim and desire,—but as he came to know her better, he put a check on himself and hesitated as one may hesitate before pulling up a rose-bush from its happy growing place and flinging it out on the dust-heap to die. She was so utterly unsuspicious and unaware of evil, and she had placed him on so