“Well, I hope so!” and Miss Leigh’s voice was a little tremulous; “But artists are very impressionable, and live so much in a world of their own that I sometimes doubt whether they have much understanding or sympathy with the world of other people! Even Pierce Armitage—who was very dear to me—ran away with impressions like a child with toys. He would adore a person one day—and hate him, or her, the next!”—and she laughed softly and compassionately—“He would indeed, poor fellow! He was rather like Shelley in his likes and dislikes—you’ve read all about your Shelley of course?”
“Indeed I have!” the girl answered,—“A glorious poet!—but he must have been difficult to live with!”
“Difficult, if not impossible!”—and the gentle old lady took her hand and held it in a kind, motherly clasp—“You are a genius yourself—but you are a human little creature, not above the sweet and simple ways of life,—some of the poets and artists were and are in-human! Now Mr. Jocelyn—”
“He is human!” said Innocent, quickly—“I’m sure of that!”
“You are sure? Well, dear, you like him very much and you have made a friend of him,—which is quite natural considering the long association you have had with his name—such a curious and romantic coincidence!—but I hope he won’t disappoint you.”
Innocent laughed, happily.
“Don’t be afraid, you dear little godmother!” she said—“I don’t expect anything of him, so no disappointment is possible! Here we are!”
The brougham stopped and they alighted. Opening the house-door with a latch-key they entered, and pausing one moment in the drawing-room, where the lights had been left burning for their return, Miss Leigh took Innocent tenderly by the arm and pointed to the portrait on the harpsichord.
“There was a true genius!” she said—“He might have been the greatest artist in England to-day if he had not let his impressions and prejudices overmaster his judgment. You know—for I have told you my story—that he loved me, or thought he did—and I loved him and knew I did! There was the difference between us! He tired of me—all artists tire of the one face—they want dozens!—and he lost his head over some woman whose name I never knew. The result must have been fatal to his career, for it stopped short just when he was succeeding;—for me, it only left me resolved to be true to his memory till the end. But, my child, it’s a hard lot to be alone all one’s days, with only the remembrance of a past love to keep one’s heart from growing cold!”
There was a little sob in her voice,—Innocent, touched to the quick, kissed her tenderly.
“Why do you talk like this so sadly to-night?” she asked—“Has something reminded you of—of him?” And she glanced half nervously towards the portrait.
“Yes,” answered the old lady, simply—“Something has reminded me— very much—of him! Good-night, dear little child! Keep your beautiful dreams and ideals as long as you can! Sleep well!”